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These resources relate to an event which took place on 12th May, 2012, at the University of Southampton. It marked the 75th anniversary of the arrival of Spanish child refugees in Southampton. The event was attended by over 200 refugees and their families, as well as Spanish and Basque dignitaries, students and members of the public. It was a day of memories, emotion, history and warmth. There were many documents on display, which had been collected largely by the Basque Children's Association, and on this day, the Association officially handed their archive over to the University for safe-keeping.
These photos were taken on 12th May, 2012, at the University of Southampton, at an event to mark the 75th anniversary of the arrival of Spanish child refugees in Southampton. The event was attended by over 200 refugees and their families, as well as Spanish and Basque dignitaries, students and members of the public. It was a day of memories, emotion, history and warmth. There were many documents on display, which had been collected largely by the Basque Children's Association, and on this day, the Association officially handed their archive over to the University for safe-keeping.
This resource comprises a short video, two recorded interviews and an image of traditional Basque dancers at an event which took place on 12th May, 2012, at the University of Southampton. This event commemorated the arrival in Southampton, 75 years ago, of child refugees from Spain, who were fleeing the civil war. This group of Basque dancers took part in the event, which was attended by dignitaries from Spain and the Basque regional government. Interviews were conducted in Spanish. All use and versions of this material should be attributed. Please cite this work as: OpenLIVES project (2012). An open collection of research data and teaching materials relating to Spanish migrant stories. JISC
To facilitate the re-use of the materials in the Legal and Social Issues of Electronic Publishing collection, the source files are available here in Open Document format and zipped together. All details, including instructions for extracting the files, are in the header page for this collection at: http://humbox.ac.uk/3101/ Note: 1 x zip file @ 2525KB
To facilitate the re-use of the materials in the XML collection, the source files are available here in Open Document format and zipped together. All details, including instructions for extracting the files, are in the header page for this collection at: http://humbox.ac.uk/3110/ Note: 1 x zip file @ 2716KB
To facilitate the re-use of the materials in the Electronic Publishing collection, the source files are available here in Open Document format and zipped together. All details, including instructions for extracting the files, are in the header page for this collection at: http://humbox.ac.uk/3078/ Note: 1 x zip file @ 12.7MB
This presentation is taken from a Master's level module, XML: Extensible Markup Language Legal, XSLT, document analysis and electronic publishing, taught at the Department of Information Studies, University College London. The headed page for this collection of resources is at: http://humbox.ac.uk/3110/
This presentation is taken from a Master's level module, XML: Extensible Markup Language Legal, XSLT, document analysis and electronic publishing, taught at the Department of Information Studies, University College London. The headed page for this collection of resources is at: http://humbox.ac.uk/3110/
This presentation is taken from a Master's level module, XML: Extensible Markup Language Legal, XSLT, document analysis and electronic publishing, taught at the Department of Information Studies, University College London. The headed page for this collection of resources is at: http://humbox.ac.uk/3110/
This presentation is taken from a Master's level module, XML: Extensible Markup Language Legal, XSLT, document analysis and electronic publishing, taught at the Department of Information Studies, University College London. The headed page for this collection of resources is at: http://humbox.ac.uk/3110/
This presentation is taken from a Master's level module, XML: Extensible Markup Language Legal, XSLT, document analysis and electronic publishing, taught at the Department of Information Studies, University College London. The headed page for this collection of resources is at: http://humbox.ac.uk/3110/
This presentation is taken from a Master's level module, XML: Extensible Markup Language Legal, XSLT, document analysis and electronic publishing, taught at the Department of Information Studies, University College London. The headed page for this collection of resources is at: http://humbox.ac.uk/3110/
This presentation is taken from a Master's level module, XML: Extensible Markup Language Legal, XSLT, document analysis and electronic publishing, taught at the Department of Information Studies, University College London. The headed page for this collection of resources is at: http://humbox.ac.uk/3110/
This presentation is taken from a Master's level module, XML: Extensible Markup Language Legal, XSLT, document analysis and electronic publishing, taught at the Department of Information Studies, University College London. The headed page for this collection of resources is at: http://humbox.ac.uk/3110/
This presentation is taken from a Master's level module, XML: Extensible Markup Language Legal, XSLT, document analysis and electronic publishing, taught at the Department of Information Studies, University College London. The headed page for this collection of resources is at: http://humbox.ac.uk/3110/
This presentation is taken from a Master's level module, XML: Extensible Markup Language Legal, XSLT, document analysis and electronic publishing, taught at the Department of Information Studies, University College London. The headed page for this collection of resources is at: http://humbox.ac.uk/3110/
A collection of teaching materials from a Master's level introductory module in XML and XSLT.
This is the Header Page for the collection: XML
A collection of teaching materials taken from a Masters level module at University College London with a focus on the Digital Humanities and the Legal and Social Issues of Electronic Publishing. The header page with list of contents and links is at:
This presentation is taken from a Master's level module, Legal and Social Issues of Electronic Publication, taught at the Department of Information Studies, University College London. The headed page for this collection of resources is at: http://humbox.ac.uk/3101/
This presentation is taken from a Master's level module, Legal and Social Issues of Electronic Publication, taught at the Department of Information Studies, University College London. The headed page for this collection of resources is at: http://humbox.ac.uk/3101/
This presentation is taken from a Master's level module, Legal and Social Issues of Electronic Publication, taught at the Department of Information Studies, University College London. The headed page for this collection of resources is at: http://humbox.ac.uk/3101/
This presentation is taken from a Master's level module, Legal and Social Issues of Electronic Publication, taught at the Department of Information Studies, University College London. The headed page for this collection of resources is at: http://humbox.ac.uk/3101/
This presentation is taken from a Master's level module, Legal and Social Issues of Electronic Publication, taught at the Department of Information Studies, University College London. The headed page for this collection of resources is at: http://humbox.ac.uk/3101/
This presentation is taken from a Master's level module, Legal and Social Issues of Electronic Publication, taught at the Department of Information Studies, University College London. The headed page for this collection of resources is at: http://humbox.ac.uk/3101/
This presentation is taken from a Master's level module, Legal and Social Issues of Electronic Publication, taught at the Department of Information Studies, University College London. The headed page for this collection of resources is at: http://humbox.ac.uk/3101/
This is the header page for the collection: Legal and Social Issues of Electronic Publishing
This presentation is taken from a Master's level module, 'Electronic Publication', taught at the Department of Information Studies, University College London. The headed page for this collection of resources is at: http://humbox.ac.uk/3078
This presentation is taken from a Master's level module, 'Electronic Publication', taught at the Department of Information Studies, University College London. The headed page for this collection of resources is at: http://humbox.ac.uk/3078
This presentation is taken from a Master's level module, 'Electronic Publication', taught at the Department of Information Studies, University College London. The headed page for this collection of resources is at: http://humbox.ac.uk/3078
This presentation is taken from a Master's level module, 'Electronic Publication', taught at the Department of Information Studies, University College London. The headed page for this collection of resources is at: http://humbox.ac.uk/3078
This presentation is taken from a Master's level module, 'Electronic Publication', taught at the Department of Information Studies, University College London. The headed page for this collection of resources is at: http://humbox.ac.uk/3078
This presentation is taken from a Master's level module, 'Electronic Publication', taught at the Department of Information Studies, University College London. The headed page for this collection of resources is at: http://humbox.ac.uk/3078
This presentation on e-Books and reading is taken from a Master's level module, 'Electronic Publication', taught at the Department of Information Studies, University College London. The headed page for this collection of resources is at: http://humbox.ac.uk/3078
This presentation on Web 2.0 and 3.0 is taken from a Master's level module, 'Electronic Publication', taught at the Department of Information Studies, University College London. The headed page for this collection of resources is at: http://humbox.ac.uk/3078
This presentation is taken from a Master's level module, 'Electronic Publication', taught at the Department of Information Studies, University College London. The headed page for this collection of resources is at: http://humbox.ac.uk/3078
This is a class exercise to accompany the e-Book presentation and is taken from a Master's level module, 'Electronic Publication', taught at the Department of Information Studies, University College London. The headed page for this collection of resources is at: http://humbox.ac.uk/3078
This presentation is taken from a Master's level module, 'Electronic Publication', taught at the Department of Information Studies, University College London. Instant publishing and 'peer review' of Wikipedia articles. If you don't agree with what it says, change it. The headed page for this collection of resources is at: http://humbox.ac.uk/3078
The activities in this collection provide opportunities for English lecturers (and others) to experiment and think creatively about the modules you currently teach or ones you may teach in the future. Some activities utilise videos of colleagues who have successfully designed whole programmes and individual modules. There are also worksheets and documents that you can download and modify.
The activities in this resource are built around an audio-recording in which English lecturers Dr Chris Thurgar-Dawson (University of Teesside) and Professor Ben Knights (English Subject Centre) discuss a module they launched and taught on ‘creative criticism.’ The activities provide examples and contexts for re-thinking and designing new modules by experimenting with varying emphases on 'creative' and 'critical' content and teaching methods. Even if you do not adopt the ideas presented, they might stimulate you to think about module planning from a different angle.
These activities are for English lecturers interested in developing their pedagogical skills in accord with the skills they would like their students to acquire. Both the individual and group activity are focused on the use of a stimulating list of 'desirable student attributes' such as having the patience to read long novels. How exactly are you hoping to affect your students' behaviour when you teach them? Obviously, you want them to attend classes and submit assessments, but what of more interesting, subtle practices? What intellectual, organisational, aesthetic qualities would you like your teaching to encourage? The argument of the activities in this resource is that thinking about possible answers to these questions is an excellent first step towards a reconceptualisation of your role as a lecturer.
There are three different types activities in this resource each of which are drawn from literature teaching but which are adaptable to other subjects. In one you are provided with a full module description and asked how it might need to be modified for particular teaching contexts, such as whether it is a final year ‘option’ course, or a compulsory first year course. In the next activity, ‘Pacing it out’ you are challenged to halve the number of texts studied on a module and adapt your teaching approach accordingly. The third type of activity addresses ‘Curriculum Framing’ and asks you to consider the pedagogical contexts for teaching particular texts.
The premise of the activities in this resource (appropriate for an individual or a group) is that the time that students spend between lectures, seminars and workshops is as important as the time they spend in class sessions because this is how and where students develop the critical ability to work independently. However, students, especially first-years, need to be taught these skills and these activities provide guidance on how you might go about that work with methods that that push beyond the well-worn phrase, ‘read the book and think about it.’
The activities in this resource are focused around an interview with Dr Hannah Crawforth (King's College London) about her design and launch of an innovative English Literature module, 'Shakespeare's London'. The activities, which are appropriate for individuals or groups, encourage you to think about how you might re-design and run old modules in new ways or launch new modules which draw students in with new features. The activities cover how one might take advantage of the location of your university (e.g. the local landscape or historic sites); how one might develop students’ research skills, and how one might ask relevant reflective questions about an existing module with a view towards revising and improving it.
There are three types of activities, appropriate for English lecturers working in groups or as individuals, in this resource. Their topics are employability, transition from A level, and getting the ‘delicate balance’ right between literature, language and Creative Writing when designing an English programme for today’s students. These activities rely in part on an interview with Professor Marion Wynne-Davies (University of Surrey). As Head of Department, Wynne-Davies shares the ideas and strategies she followed to launch the Surrey English degree programme in 2008.
The activities in this collection provide opportunities for English lecturers (and others) to experiment and think creatively about the modules you currently teach or ones you may teach in the future. Some activities utilise videos of colleagues who have successfully designed whole programmes and individual modules. There are also worksheets and documents that you can download and modify.
A resource designed for English lecturers interested in developing their skills. The activity involves the 'audit' of an individual lecturer's department against a document of recommendations for departmental good practice in teaching inclusively. It consists of an overview of the activity and a description of the activity for an individual lecturer.
Two exercises designed for English lecturers seeking to develop their skills. Both activities, one for groups, the other for individual lecturers, investigate the relationship between student condition (such as disabilities) and student comments about teaching. There is also an overview of the activities.
This Collection is the sixth of seven that make up 'The Pool', a selection of Open Educational Resources designed to support the professional development of English lecturers. This collection of activities for individuals and groups highlights the importance of teaching inclusively in English Studies. Of interest to lecturers at different career stages (especially those just setting out), and to leaders of accredited courses.
Four exercises on making electronic documents accessible, designed for use by English lecturers seeking to develop their skills: one individual and one group activity on the inclusive use of 'PowerPoint' and one individual and one group activity on the inclusive use of 'Word'. There is also an overview of the activities.
Two exercises on inclusive seminar design, for use by English lecturers seeking to develop their skills. One activity is for use by an individual lecturer working alone; the other is for use in a group setting. Both activities involve the viewing of video examples of English Literature seminar leaders in action. There is also an overview of the activities.
Two exercises on inclusive lecture design, for use by English lecturers seeking to develop their skills. One activity is for use by an individual lecturer working alone; the other is for use in a group setting. Both activities involve the viewing of video examples of English Literature lecturers in action.
Two exercises designed for use by English lecturers seeking to develop their skills. The activities encourage lecturers to think of students as individuals rather than as types. One activity is for use by an individual lecturing working alone; the other is for use in a group setting. There is also an overview of the activities.
This Collection is the sixth of seven that make up 'The Pool', a selection of Open Educational Resources designed to support the professional development of English lecturers. This collection of activities for individuals and groups highlights the importance of teaching inclusively in English Studies. Of interest to lecturers at different career stages (especially those just setting out), and to leaders of accredited courses.
A collection of articles that represents a diverse range of views on the use of the Internet in the history and philosophy of science.
A guide to the inter-disciplinary teaching of ethics.
Covering Buddhism, Christianity, Hinduism, Islam, Judaism and Sikhism, and written by respected academics with many years' research and teaching experience, and in conjunction with the relevant religious communities, this series covers key religious and cultural sensitivities that may arise within a university environment.
A guide to Sikhism written by respected academics with many years' research and teaching experience, and in conjunction with the relevant religious communities. The guide covers key religious and cultural sensitivities that may arise within a university environment.
A guide to Judaism written by respected academics with many years' research and teaching experience, and in conjunction with the relevant religious communities. The guide covers key religious and cultural sensitivities that may arise within a university environment.
This Collection is the third of seven that make up 'The Pool', a selection of Open Educational Resources designed to support the professional development of English lecturers. This resource collection aims to provoke thought about the role of assessment and feedback in undergraduate English programmes. Of interest to lecturers at different career stages (especially those just setting out), and to leaders of accredited courses.
A guide to Islam written by respected academics with many years' research and teaching experience, and in conjunction with the relevant religious communities. The guide covers key religious and cultural sensitivities that may arise within a university environment.
A guide to Hinduism written by respected academics with many years' research and teaching experience, and in conjunction with the relevant religious communities. The guide covers key religious and cultural sensitivities that may arise within a university environment.
A guide to Christianity written by respected academics with many years' research and teaching experience, and in conjunction with the relevant religious communities. The guide covers key religious and cultural sensitivities that may arise within a university environment.
This activity confronts English lecturers with the variety of concerns different interest groups have about assessment in their discipline, inviting them to be self-reflexive about their approach to assessment. It consists of three parts: 1. An overview of the activity; 2. An activity that can be carried out by individual lecturers; 3.An activity that can be done with a group (useful to leaders of accredited courses).
A guide to Buddhism written by respected academics with many years' research and teaching experience, and in conjunction with the relevant religious communities. The guide covers key religious and cultural sensitivities that may arise within a university environment.
This resource contains examples of sophisticated online multiple-choice questionnaires and challenges English lecturers to emulate them. It consists of three parts: 1. An overview of the activity; 2. An activity that can be carried out by individual lecturers; 3.An activity that can be done with a group (useful to leaders of accredited courses).
This activity invites English lecturers to mark sample student work and use the process as a springboard for considering approaches to marking more generally. It consists of three parts: 1. An overview of the activity; 2. An activity that can be carried out by individual lecturers; 3.An activity that can be done with a group (useful to leaders of accredited courses).
A subject specific guide designed for theology and religious studies students to help them identify and articulate how the skills that their degree is developing in them prepare them for the world of work.
This activity invites English lecturers to think outside the box of conventional assessment methods and develop new, creative methods. It consists of an overview of the activity and an activity that can be carried out by individual lecturers.
A subject specific guide designed for philosophy students to help them identify and articulate how the skills that their degree is developing in them prepare them for the world of work.
The journal of the Subject Centre for Philosophical and Religious Studies (200 - 2011). Discourse contains subject-specific articles, discussion, and high quality pedagogical research papers.
This activity provides materials for English lecturers to interrogate the relationship between assessment mode and learning outcome. It consists of three parts: 1. An overview of the activity; 2. An activity that can be carried out by individual lecturers; 3.An activity that can be done with a group (useful to leaders of accredited courses).
Issue 10.1 of the journal Discourse: Learning and Teaching in Philosophical and Religious Studies
Issue 9.2 of the journal Discourse: Learning and Teaching in Philosophical and Religious Studies
Issue 9.1 of the journal Discourse: Learning and Teaching in Philosophical and Religious Studies
Issue 1.1 of the journal Discourse: Learning and Teaching in Philosophical and Religious Studies
Issue 8.1 of the journal Discourse: Learning and Teaching in Philosophical and Religious Studies
This activity encourages English lecturers to focus on the strengths and weaknesses of various forms of assessment common on English programmes. It consists of three parts: 1. An overview of the activity; 2. An activity that can be carried out by individual lecturers; 3.An activity that can be done with a group (useful to leaders of accredited courses).
Issue 7.2 of the journal Discourse: Learning and Teaching in Philosophical and Religious Studies
Issue 7.1 of the journal Discourse: Learning and Teaching in Philosophical and Religious Studies
Issue 6.2 of the journal Discourse: Learning and Teaching in Philosophical and Religious Studies
Issue 6.1 of the journal Discourse: Learning and Teaching in Philosophical and Religious Studies
Issue 5.2 of the journal Discourse: Learning and Teaching in Philosophical and Religious Studies
Issue 5.1 of the journal Discourse: Learning and Teaching in Philosophical and Religious Studies
Issue 4.2 of the journal Discourse: Learning and Teaching in Philosophical and Religious Studies
Issue 4.1 of the journal Discourse: Learning and Teaching in Philosophical and Religious Studies
Issue 3.2 of the journal Discourse: Learning and Teaching in Philosophical and Religious Studies
Issue 3.1 of the journal Discourse: Learning and Teaching in Philosophical and Religious Studies
Issue 2.2 of the journal Discourse: Learning and Teaching in Philosophical and Religious Studies
Issue 2.1 of the journal Discourse: Learning and Teaching in Philosophical and Religious Studies
Issue 1.2 of the journal Discourse: Learning and Teaching in Philosophical and Religious Studies
Issue 1.1 of the journal Discourse: Learning and Teaching in Philosophical and Religious Studies
This activity is designed to help English lecturers think about the relationship between creative forms of assessment, learning outcomes and marking criteria. It consists of three parts: 1. An overview of the activity; 2. An activity that can be carried out by individual lecturers; 3.An activity that can be done with a group (useful to leaders of accredited courses).
This activity enables English lecturers to 'audit' the assessment regime they use in their modules.. It consists of three parts: 1. An overview of the activity; 2. An activity that can be carried out by individual lecturers; 3.An activity that can be done with a group (useful to leaders of accredited courses).
This Collection is the third of seven that make up 'The Pool', a selection of Open Educational Resources designed to support the professional development of English lecturers. This collection of activities for individuals and groups aims to provoke thought about the role of assessment and feedback in undergraduate English programmes. Of interest to lecturers at different career stages (especially those just setting out), and to leaders of accredited courses.
The object of this collection of resources is to both familiarise lecturers with the scope of online learning in English studies and to encourage thinking about the design, delivery and assessment of online learning.
This resource contains a pair of exercises that explore ways in which the Creative Writing workshop might be supported by technology in face-to-face, blended or distance learning contexts.
The activity in this resource, available for a group or individual, exposes the student to a selection of voices within the discipline who have different perspectives on the use and assessment of online discussion.
In this resource there is a group or individual activity that demonstrates a variety of approaches that a practitioner might take to assist their students to discover information contained within complex online databases efficiently.
This resource looks at the types of new media that a lecturer in English studies might employ when working online, the various contexts where that technology might be employed and the pedagogical strategies they might employ. There are two activities both available for individuals or groups. The first activity explores the range of technologies and their uses, the second involves the design of a learning activity around a piece of new media.
This resource explores how we structure online learning activities and the way we present them for our students. It contains two activities that involve exploring a range of interactive online activities from English Literature courses. Participants should also gain a wider appreciation of the means by which online activities can be delivered (structure, presentation etc).
This resource introduces some of the key concepts, tools and benefits of using e-learning in the teaching of English Studies and provides a useful starting point for introducing colleagues to the benefits of using a Virtual Learning Environment (VLE). The resource is made up of two activities one for use with groups and one for individuals.
The object of this collection of resources is to both familiarise lecturers with the scope of online learning in English studies and to encourage thinking about the design, delivery and assessment of online learning.
Two exercises on the use of creative writing in English Literature seminars. The exercises have been designed for use by English lecturers seeking to develop their skills. One activity is for use by an individual lecturer working alone; the other is for use in a group setting. Both activities suggest ways of turning to pedagogic use an activity which students of the English subjects are expected to be able to perform, but which teachers all too often simply see as a medium of assessment. They propose and exemplify writing as a pedagogic tool. There is also an overview of the activities.
Two exercises designed for use by English lecturers seeking to develop their skills. One activity is for use by an individual lecturer working alone; the other is for use in a group setting. The activities are designed to sustain novice lecturers and tutors in facing the things that most worry them about working with groups. The object is to achieve a base level of confidence which then bit by bit becomes self sustaining. The group activity involves the viewing of a video of English lecturers discussing potential solution to common seminar 'nightmare scenarios'. There is also an overview of the activities.
Two exercises on planning and running seminars designed for use by individual English lecturers seeking to develop their skills. The activities invite lecturers to plan small group teaching on the basis that the seminar is not simply a vehicle of transmission, but an organism with a life of its own, operating simultaneously at social, intellectual, and emotional levels.
Two exercises on seminar planning designed for use by English lecturers seeking to develop their skills. Both activities can be used either by individual lecturers or in groups. They involve viewing a video of an English Literature seminar. The activities have been designed to create a suggestive space in which to think about the languages of seminars, and the forms of social, intellectual, and personal exchange that take place within them. There is also an overview of the activities.
Two exercises on seminar planning designed for use by individual English lecturers seeking to develop their skills. Both activities involve viewing a video of a seminar in English Literature. These activities offer lecturers the opportunity to apply and enrich their understanding of the seminar in a concrete way. By treating an example of a seminar as a text, they open up a number of questions about the dynamic of the seminar process. There is also an overview of the activities.
Two exercises on seminar planning designed for use by English lecturers seeking to develop their skills. One activity is for use by an individual lecturing working alone; the other is for use in a group setting. These activities are designed to stimulate thought about the forms and processes of small group teaching, suggesting ways in which a lecturer or tutor might move mentally between preparing their curriculum or content knowledge and their developing insight into how people learn in groups. There is also an overview of the activities.
This Collection is the fourth of seven that make up 'The Pool', a selection of Open Educational Resources designed to support the professional development of English lecturers. This collection of activities for individuals and groups aims to help lecturers come to terms with some of the challenges of designing and running seminars. Of interest to lecturers at different career stages (especially those just setting out), and to leaders of accredited courses.
This Collection is the fourth of seven that make up 'The Pool', a selection of Open Educational Resources designed to support the professional development of English lecturers. This collection of activities for individuals and groups aims to help lecturers come to terms with some of the challenges of designing and running seminars. Of interest to lecturers at different career stages (especially those just setting out), and to leaders of accredited courses.
There are three activities in this resource, and they have been created around actual lectures delivered by staff at Royal Holloway, University of London, King’s College London and the University of Nottingham. Each lecture demonstrates different approaches to lecturing. The peer review activities are designed to prompt individuals or groups to begin thinking critically about what makes a good lecture/lecturer and what tools and tasks can help make a particular lecture more or less successful.
There are two activities in this collection and both encourage you to be able to make a conscious shift between content (what you want to get across) and the dramatic and affective form through which you are going to have to perform it. The activities are appropriate for individuals or groups and comprise peer review work as well as an opportunity to think of the lecture as a genre. One activity utilises video footage of Dr Hannah Crawforth (King’s College London), who discusses lectures as a form of rhetoric. The other activity asks that you attend a colleague’s lecture, record yourself giving a lecture, or use a video of someone else’s lecture as a starting point.
Here is a set of comments I use frequently when giving feedback to students. It's designed for EFL writers with an English level equivalent to IELTS 5.5 or above. The links are to sites I regularly use in teaching, and the recommended books are available in my university library. Feel free to adapt according to your students' level, needs and available resources. There are different ways you could exploit the comments set: 1. (on paper) as a cover sheet when returning written work. 2. (in Microsoft Word) as the basis for creating AutoText entries, which you can quickly insert into Comments when reviewing electronic copies of your students' work. 3. (in Turnitin) as the basis for creating a QuickMark set in GradeMark. I would love to receive feedback on this resource, including suggestions for how it might be improved!
Used as an introduction to a ‘Students into Schools’ module which accredits teaching placement and associated reflection. Could be used as a model for any introductory session where it is important to quickly engage participants
Simple tutorial/seminar plan to facilitate conversation with level 3 students about their career plans.
The activities in this resource, like the peer review activities elsewhere in this collection, are designed to prompt individuals or groups to begin thinking critically about what makes a good lecture/lecturer. Included are a mock ‘bad’ lecture to evaluate and an exercise in self-reflection on your own methods of delivering a lecture—are you more comfortable using an improvisational technique or do you write your lectures out word for word?
This collection of resources for English lecturers (and others) provides platforms and exercises through which to refine your ideas about what a lecture should and can do pedagogically. Included are examples of actual lectures, guidance on how to evaluate and reflect upon your own and other people's lectures, a mock ‘bad’ lecture and suggestions for how to stretch the limits of large-group teaching structures.
This collection of resources for English lecturers (and others) provides platforms and exercises through which to refine your ideas about what a lecture should and can do pedagogically. Included are examples of actual lectures, guidance on how to evaluate and reflect upon your own and other people's lectures, a mock ‘bad’ lecture and suggestions for how to stretch the limits of large-group teaching structures.
Unspecified
List of references for student voice work used at LLAS workshop on National Student Survey in June 2011
Text of a lecture on Hegel, language and logic
Courseguide for a 12-week, 15 credit module on selected topics from Hegel. Notable for use of unassessed group presentations
Presentation on pilot study on the transition from school to university. Presented at Northampton University teaching and learning conference
The document attached is a UG module entitled Introduction to Islamic law for lawyers. Feedback is welcome
A collection of resources to support RS tutors in providing feedback to students and activities for students to work on tutor feedback.
Powerpoint presentation on Autonomous Learning. This presentation was shown on the 23rd of June 2011 at the University of Leeds in the course of the event "SMLC Language Teaching Conference".
Conference presentation and handout.
Conference presentation supplementary materials. Conference presentation focuses on the use of CMC technology in business English classes.
Conference presentation on the use of computer-mediated communication in business English classes. The first part presents some ideas from research on teaching business communication. The second part focuses on the results of a systematic review of research on the use of new technologies in teaching English as a foreign language.
This text and translation into English accompanies the illustrated podcast in European Portuguese created by Will Masters, a student of Applied Languages at the School of Languages and Area Studies, University of Portsmouth, as a part of a research project entitled ‘The Role of Student Audio Casting and Production in the Language Learning Curriculum’. The recording presents a refelction on the student's first experiences of Portugal, and of learning Portuguese. The podcast can be used as a learning resource in several different ways: as a focus for discussion or aural comprehension by students of the Portuguese language.
This illustrated podcast in European Portuguese was created by Will Masters, a student of Applied Languages at the School of Languages and Area Studies, University of Portsmouth, as a part of a research project entitled ‘The Role of Student Audio Casting and Production in the Language Learning Curriculum’. The recording presents a refelction on the student's first experiences of Portugal, and of learning Portuguese. The podcast can be used as a learning resource in several different ways: as a focus for discussion or aural comprehension by students of the Portuguese language.
A collection of illustrated audio recordings in the Romanian language by students at the School of Languages and Area Studies, the University of Portsmouth. The recordings narrate the situation of contemporary Romania, and describe the city of Timişoara in Western Romania, the nation's second-largest city.
This text and translation into English accompanies the illustrated podcast in Romanian created by Valentina Moldovan, a Masters' student at the School of Languages and Area Studies, University of Portsmouth, as a part of a research project entitled ‘The Role of Student Audio Casting and Production in the Language Learning Curriculum’. The recording presents an account of Timişoara, Romania's second city, its landscapes, its historical and cultural importance.The podcast can be used as a learning resource in several different ways: as a focus for discussion or aural comprehension by students of the Romanian language.
This illustrated podcast in Romanian was created by Valentina Moldovan, a Masters' student at the School of Languages and Area Studies, University of Portsmouth, as a part of a research project entitled ‘The Role of Student Audio Casting and Production in the Language Learning Curriculum’. The recording presents an account of Timişoara, Romania's second city, its landscapes, its historical and cultural importance.The podcast can be used as a learning resource in several different ways: as a focus for discussion or aural comprehension by students of the Romanian language.
This text and translation accompanies the illustrated podcast in Romanian created by Sabina Androne, a Masters student at the School of Languages and Area Studies, University of Portsmouth, as a part of a research project entitled ‘The Role of Student Audio Casting and Production in the Language Learning Curriculum’. The audio summary reflects on the contemporary situation of the Romanian nation in the post-Ceausescu era. The podcast can be used as a learning resource in several different ways: as a focus for discussion, aural comprehension or as a base for further research by students of the Romanian language.
This illustrated podcast in Romanian was created by Sabina Androne, a Masters student at the School of Languages and Area Studies, University of Portsmouth, as a part of a research project entitled ‘The Role of Student Audio Casting and Production in the Language Learning Curriculum’. The audio summary reflects on the contemporary situation of the Romanian nation in the post-Ceausescu era. The podcast can be used as a learning resource in several different ways: as a focus for discussion, aural comprehension or as a base for further research by students of the Romanian language.
I am testing what kind of resource I can share on humbox
This seminar format is described and evaluated in terms of benefits, challenges and required resources; also offers references to further reading. Based on 'Religion, Culture and Gender', a level 2 module in Religions and Theology, University of Manchester.
This student-led discussion tool is described and evaluated in terms of benefits, challenges and required resources; also offers references to further reading. Based on 'Religion, Culture and Gender', a level 2 module in Religions and Theology, University of Manchester.
This student-led discussion tool is described and evaluated in terms of benefits, challenges and required resources; also offers references to further reading. Based on 'Religion, Culture and Gender', a level 2 module in Religions and Theology, University of Manchester.
This student-led discussion tool is described and evaluated in terms of benefits, challenges and required resources; also offers references to further reading. Based on 'Religion, Culture and Gender', a level 2 module in Religions and Theology, University of Manchester.
This student-led discussion tool is described and evaluated in terms of benefits, challenges and required resources; also offers references to further reading. Based on 'Religion, Culture and Gender', a level 2 module in Religions and Theology, University of Manchester.
This is a collection of tools for a student-led seminar framework. Each tool is described and evaluated in terms of benefits, challenges and required resources; also offers references to further reading. Based on 'Religion, Culture and Gender', a level 2 module in Religions and Theology, University of Manchester.
This student-led discussion tool is described and evaluated in terms of benefits, challenges and required resources; also offers references to further reading. Based on 'Religion, Culture and Gender', a level 2 module in Religions and Theology, University of Manchester.
Spanish writer Juan Ramón Barat reflects upon the aftermath of the Lorca Earthquake of 11 May 2011, which brought down many buildings in this historical city and caused several casualties. In this literary and social piece, distributed to the public on the 18th of May 2011, Barat points at the lack of business ethics in the construction business as one of the reasons behind the destruction caused by the earthquake. This is a good text for those interested in contemporary social, economic and political issues in Spain, as it relates very well to some of the demands and criticisms aired by campaigners of the so-called "Spanish Revolution" of the 15th of May 2011.
This half day conference, organised by Dr Manus McGrogan at the University of Portsmouth on 12 May 2011, uncovered the trajectories of some of the movements that emerged in early 1970s France, helping to define the radical left politics of the era. This was the aftermath of May ‘68’s mass upheaval, when France, in the grip of student riots and a general strike, had seemed on the verge of revolution. May’s utopian dimension, embodied in slogans such as ‘sous les pavés la plage’ and ‘prenez vos désirs pour la réalité’, held the promise of a world transformed in which each could pursue their own desires, a powerful spur to thousands of young activists, students and workers. The mass revolt of May had also shown that collective action could change the world. These impulses, shaped subsequently by political, socio-cultural and international events, combined to generate new, youth-inflected gender/sexual liberation movements, independent immigrant organisation, ecology groups, underground press, and other movements that were linked to, or autonomous of left political organisation. However, activists also had to contend with a Gaullist State that tentatively introduced reforms, whilst clamping down on the hard left ‘troublions’ still agitating for popular revolt. Intervention in the workers movement also proved problematic given the PCF/CGT dominance in the major workplaces. President Georges Pompidou, on a path of modernising France, perpetuated the social conservatism of his predecessor de Gaulle; faced with these barriers, activists of the Mouvement de Mai sought to merge political radicalism with the cultural underground to fashion an alternative France, as a May-inspired slogan intoned, changer la vie. But what happened to this surge of hope for change? Five academics presented papers on important aspects of this early 1970s radicalism, with the participation of students and lecturers from similar disciplines. They considered the origins and development of the new movements, their significance within Pompidou’s France; the interrelationship of movements, and finally their resonance, or relevance in the France of today. The conference was also part of the undergraduate programme in French History and was generously supported by the LLAS subject centre. The exam was based on the themes developed during the conference. A half day conference, organised at the University of Portsmouth on 12 May 2011, uncovered the trajectories of some of the movements that emerged in early 1970s France, helping to define the radical left politics of the era. This was the aftermath of May ‘68’s mass upheaval, when France, in the grip of student riots and a general strike, had seemed on the verge of revolution. May’s utopian dimension, embodied in slogans such as ‘sous les pavés la plage’ and ‘prenez vos désirs pour la réalité’, held the promise of a world transformed in which each could pursue their own desires, a powerful spur to thousands of young activists, students and workers. The mass revolt of May had also shown that collective action could change the world. These impulses, shaped subsequently by political, socio-cultural and international events, combined to generate new, youth-inflected gender/sexual liberation movements, independent immigrant organisation, ecology groups, underground press, and other movements that were linked to, or autonomous of left political organisation. However, activists also had to contend with a Gaullist State that tentatively introduced reforms, whilst clamping down on the hard left ‘troublions’ still agitating for popular revolt. Intervention in the workers movement also proved problematic given the PCF/CGT dominance in the major workplaces. President Georges Pompidou, on a path of modernising France, perpetuated the social conservatism of his predecessor de Gaulle; faced with these barriers, activists of the Mouvement de Mai sought to merge political radicalism with the cultural underground to fashion an alternative France, as a May-inspired slogan intoned, changer la vie. But what happened to this surge of hope for change? Five academics presented papers on important aspects of this early 1970s radicalism, with the participation of students and lecturers from similar disciplines. They considered the origins and development of the new movements, their significance within Pompidou’s France; the interrelationship of movements, and finally their resonance, or relevance in the France of today. The conference was also part of the undergraduate programme in French History and was generously supported by the LLAS subject centre. The exam was based on the themes developed during the conference.
I used this with postgrade students in conjuction with an adaptation of the ESECT card sort.
These are the slides from a presentation I gave at the LLAS annual event for new staff in languages, linguistics and area studies, on 15th April, 2011. The event was held at Jesus College, University of Oxford.
The object of this resource is to help colleagues in English and related subjects appreciate and work with a concept which brings together subject thinking and knowledge with educational thinking.
This resource is a development of the familiar idea of a learning journal. It represents an invitation to use private writing as a medium for extending and reflecting upon teaching experience. Thus it focuses on the use of reflective dialogue to defamiliarise day-to-day experience, and consciously improve teaching practice. The resource consists of an introduction and an activity for individuals to undertake in their own time.
This resource contains a set of activities that use 'Imaginative writing' in various ways as a tool for thinking and learning. Like many of the resources in The Pool, it aims to breach the barriers between subject thinking and educational thinking. The resource is made up of an introduction and two different activities: Activity 1: helps teachers and supporters of learning to explore the way in which their values and experience inform their minute-to-minute pedagogic decisions. Activity 2: involves identifying metaphors for teaching and then exploring them in practical ways.
This resource is designed to introduce lecturers to the Creative Writing Benchmark Statement, and to help them gain a deeper understanding of how the Benchmark works and how it can be applied in practice. It invites individuals or a group to explore for themselves the significance and value of this kind of document. This resource consists of three parts. 1. An overview of the activity 2. Using the Creative Writing Benchmark: an Individual Activity 3. Using the Creative Writing Benchmark: a Group activity.
A factsheet designed to introduce the UK Professional Standards Framework (PSF) and explain how it relates to the teaching resources developed for the professional development resources in the collection.
This activity is designed to familiarise early career lecturers with the English Benchmark Statement, and the principles underlying such documents. It consists of three parts: 1. An overview of the activity; 2. An activity that can be done with a group (useful to leaders of accredited courses); 3. An activity that can be carried out by individual lecturers.
This Collection is the first of seven that make up 'The Pool', a selection of Open Educational Resources designed to support the professional development of English lecturers. This resource collection (like all those which together form 'The Pool') is designed to inspire thinking about the formative relations between educational practice and the scholarly study of language, writing, and culture. Of interest to lecturers at different career stages (especially those just setting out), and to leaders of accredited courses.
This Collection is the first of seven that make up 'The Pool', a selection of Open Educational Resources designed to support the professional development of English lecturers. This resource collection (like all those which together form 'The Pool') is designed to inspire thinking about the formative relations between educational practice and the scholarly study of language, writing, and culture. Of interest to lecturers at different career stages (especially those just setting out), and to leaders of accredited courses.
This is a learning activity for students of Spanish Language in Final Year (BA) or for anyone who is in the levels C1 or C2 of The Common European Framework of Reference (CEFR). It aims at showing different linguisitc strategies for the correct and purposeful use of reported speech in the professional context of journalism. It contains three sheets, one with all the background readings and videos and the plan for the whole set of activities, another with the exercises of Activity 4 (Reported Speech in Spanish), and one with an assessed task. It is connected to existing video resources in this repository. This work was presented and used in the 2010 E. Allison Peers Symposium (University of Liverpool) to the participating students, writers and academics.
This AO table top dialogue sheet can be used with students or staff to facilitate discussions around the National Student Survey. There are instructions about how you might use it on the sheet itself. If you do not have access to an A0 printer the sheet can be printed off on multiple A3 (preferably) or A4 pieces of paper taped together. It has been derived from one used by Abbi Flint et al., “Preparing for success: one institution's aspirational and student focused response to the National Student Survey,” Teaching in Higher Education 14, no. 6 (2009): 607-618.
This collection provides a place to locate materials relating to Islamic Studies.
A Prezi designed for 'Employability Week' 2011, at the University of Wincester
Conference paper
How to conduct a systematic review?
This form encourages students to engage with tutor feedback on their work by taking them through a range of activities to unpack, and then act on, tutor feedback.
Slides to introduce a range of strategies for students to get more out of tutor feedback on their work.
Content created by staff and students at the University of the Arts London
Recording of a student critique from - http://process.arts.ac.uk/content/dirty-little-girl-book-signing-performance-and-studio-critique - Video studio critique showing foundation student at Wimbledon College of Art going on to BA Fine Art at Chelsea in September. This is performance piece based on tragic life books (1min) followed by a studio critique (19min). Student "I am exploring the concept of Child abuse chic, also known as grief porn; by using my own ‘tragic life’ I am making a satirical comment on this type of literature as well as looking at the glamorization of child abuse whilst questioning the morality of the misery memoir."
This document contains information for new users of archives and libraries in Russia and Ukraine. It contains contact information and practical tips on using archives and libraries, ordering material and making the most of a research trip to Russia or Ukraine. It also contains specialist vocabulary in Russian and Ukrainian.
Brief summary of 19th Century Spanish History
Most of these translations have been produced by students of Spanish Language and Culture of the University of Leeds in the course of a translation workshop organised and conducted by Ben Bollig and Antonio Martínez-Arboleda on 1 December 2010. Poems in bold were read on the 6th of December 2010 by Juan Ramón Barat, who spoke in video conference, and by the translators, to a large audience of students and university general public who came to the lecture. Translated and published with the author’s consent.
Summary of 18th century Spanish Literature
A collection of materials and resources about African colonial soldiers and how they are remembered in contemporary France and Africa
Workshop for staff to explore strategies to help students get more out of tutor feedback. Activities are in the PowerPoint, as well as links to a webfolio with additional materials.
A powerpoint describing 18th Century Spain.
PowerPoint with links to explore strategies to help students get more out of tutor feedback on their work. Look for other files in the collection to support the session.
Alien Ink is the first in a series of online graphic novels designed to tackle everyday teen issues, and provides a great resource of PSHE/ citizenship and media studies teachers keystage 3, 4 and higher. It is based around the lives of Trinity and Ryder, who curiously arrive in Camden at the same time as UFO sightings on Primrose Hill, and subsequently open a tattoo parlour that becomes a hang-out for local teens. See more at: http://www.alienink.co.uk Alien Ink raises a series of teen pressures, including relationship issues, sexual health and drug use, through the popular and accessible medium of graphic novels. Readers can interact with the comic via Facebook, MySpace, quiz apps, YouTube and the Pressure blog, and are encouraged to get involved in the Alien Ink world, discussing the issues raised or by submitting examples of their own creativity, be it artwork, graphic design, writing, poetry, or even their own tattoo design. Alien Ink will also be available to view on Facebook and, in a partially animated format, on YouTube. The comics are a great way to reach teens with stories that matter and to point them to information that will genuinely help. New chapters appear every week, with all chapters eventually available in a hardback in autumn 2010.
This resource can be used to teach young people vocabulary for parts of the body in the Arabic language.
A list of books and articles to help introduce sustainable development to students of languages, linguistics and area studies
A review of the research on the use of speech technology (speech synthesis and speech recognition) in language learning.
****TO ALL ARABIC TEACHERS****: a new interactive online resource (EVENTS CALENDAR & DIRECTORY) if you wish to keep track of EVENTS related to Arabic teaching and learning. Home-grown and still being updated..... Your generous feedback comments are really appreciated... http://www.v-arabic.com/events-directory/
Powerpoint presentation and 3 video interviews on Language Learning Motivation in Higher Education. Enhancing Modern Foreign Languages Teaching for New Tutors. University of Leeds. Sponsored by the Subject Centre LLAS (2008 and 2009) and LHRI (2010).
Introduction to acoustic phonetics. Basic concepts.
An Introduction to Speech Technology in Language Learning - covers both speech recognition and speech synthesis
Example of tutorial template
PowerPoint for staff development session
A systematic review of the use of technology in language learning, with a focus on EFL in the primary and secondary sectors.
A systematic review of the use of new technologies in language learning with a focus on primary and secondary students, EFL and vocabulary.
A systematic review of research on the use of technology in language learning with primary and secondary students. This talk focuses in on the use of technology in the teaching of reading in English as a foreign language.
Intro-To-Logic text focusing on the Method Of Counterexample
Workshop for teachers on the use of copora in foreign language teaching with a focus on data-driven language learning.
This checklist, stemming from the VirtualDucth project, is a planning tool for the creation of online multimedia study packs. It may be useful for similar projects.
This self-study pack traces the way the Dutch, from the sixteenth century onwards, defined their collective identity with reference to their ancestors, the Batavians of Roman times.
This self-study pack covers the Dutch efforts to find a Northern sea passage to Asia at the end of sixteenth century. Three voyages were undertaken in the mid-1590s, with the final expedition of Willem Barentsz and Jacob van Heemskerck acquiring canonical status in Dutch historical conciousness. Their ship got stuck in the ice off Nova Zembla, but the crew survived the harsh Arctic winter and returned to Amsterdam the next spring.
This self-study pack is designed to help you understand the Dutch Revolt in the sixteenth century, using a key historical document from the period. It is aimed at learners with an intermediate knowledge of Dutch. You can check out an original edition of the document, read some fragments of it, get help with historical references, analyse certain themes, and explore related pictorial material.
This self-study pack is designed to help you understand the Dutch Revolt in the sixteenth century, using a key historical document from the period. It is aimed at learners with only a minimal knowledge of Dutch. You can check out an original edition of the document, read four fragments of it, get help with historical references and concepts, analyse certain themes, and explore related pictorial material.
This collection contains assorted lecture handouts and exercises prepared by Matthew Steggle in connection with courses in pre-1700 English Literature.
A PowerPoint that forms part of a module studying death in religion
This is part of a suite of self-guided exercises developed for Level 5 undergraduates taking a module on World Drama 1880-1960. The resources were developed as part of a project on "Developing Independent Learning", funded by an English Subject Centre grant: a fuller description of the project is at http://www.english.heacademy.ac.uk/explore/publications/newsletters/newsissue8/hopkins.htm.
Lecture handout including a reference list of useful passages
Mock sentences from exam scripts, to invite discussion of what sorts of sentences belong in good exam answers.
Mock timed essays designed to promote discussion of what makes a good exam answer.
Seminar handout from a Level 6 module on Renaissance tragedy. A collection of early commentary on Beaumont and Fletcher's The Maid's Tragedy.
This self-guided exercise, aimed at Level 5 literature students, invites them to read Genet's The Balcony in terms of Lacan.
A self-guided exercise aimed at Level 5 Literature students.
A self-guided exercise for Level 5 students that situates Synge's play in terms of Irish history.
A self-guided exercise for Level 5 literature students, introducing the research possibilities of concordances with particular reference to Miller's Death of a Salesman.
This self-guided exercise asks students to perform a close reading of three competing translations of an extract from Ibsen's The Doll's House.
This is part of a suite of self-guided exercises developed for Level 5 undergraduates taking a module on World Drama 1880-1960. The resources were developed as part of a project on "Developing Independent Learning", funded by an English Subject Centre grant: a fuller description of the project is at http://www.english.heacademy.ac.uk/explore/publications/newsletters/newsissue8/hopkins.htm.
This is part of a suite of self-guided exercises developed for Level 5 undergraduates taking a module on World Drama 1880-1960. The resources were developed as part of a project on "Developing Independent Learning", funded by an English Subject Centre grant: a fuller description of the project is at http://www.english.heacademy.ac.uk/explore/publications/newsletters/newsissue8/hopkins.htm.
These study packs aim to introduce you to Dutch language, literature, history and society. They will also help you improve your reading skills in Dutch. You can listen to the text, study its vocabulary, sentence structures and cultural background. There is background information about the authors and their work. Once you feel you can read and understand the texts, you can move on to analysis of some of their literary aspects. When you have finished the study packs you should have a sense of the kind of writers they were and feel ready to read more of their work. There are sets of questions on the text. They start easy, and gradually become more difficult. You can answer them at any stage to see how far you get. The study packs provide answers and suggestions for finding relevant information. You can print out your first try so that you can compare it with your answers when you have completed the study packs. It is not necessary to study the different parts of the packs in any particular order – allow yourself to be guided by what you want to know. You can browse all packs according to subject, level and language or view them in a competence grid. Most packs exist in a Dutch and in an English version. You are also invited to provide us with feedback on your experience with the study packs. Enjoy!
Interested in Dutch? Curious how Dutch sounds? Wondering how difficult or easy it is? Perhaps you are thinking of studying Dutch? Then here is your opportunity to have a go at the language yourself and experience what it is like to learn Dutch from scratch. You can work through the pack all by yourself. No previous knowledge of Dutch is required.
This VirtualDutch self-study pack helps you understand what concrete poetry is by giving you background information about this form of poetry as well as some examples written by Mark Insingel. The level of difficulty of the studypack is for beginners, so if you have only recently begun to learn Dutch it should not be too difficult for you. Word explanations are given with the poems.
The concept cultural studies is rather complex. To begin with the word 'culture' itself means different things to different people, such as great works of art and literature, or works of popular culture, such as pop songs and soap operas, or the way that particular groups of people live their everyday lives. Generally, when you talk about cultural studies as a subject at university it is not so much about another culture, but it has more to do with a particular way of looking at the world in which people live, and how and why people think, produce and do the things they think, produce and do. This self-study pack offers an introduction to cultural studies, using representations of Amsterdam as an illustration. The material assumes no knowledge of Dutch.
This video was prepared for the OER international symposium, 23 July 2010, for a session on academic recognition. It features 5 humanities academics from different institutions around the country talking about their experiences sharing resources on the HumBox, and in particular about Open Educational Resources and academic recognition. Featured here are: Billy Brick from Coventry University, Sarah Hayes from Aston University, Deirdre Burke from University of Wolverhampton, Emmanuel Godin from Portsmouth University and Antonio Martinez-Arboleda from Leeds University.
Powerpoint to use in plagiarism lesson
This sheet is designed for use with the following items Powerpoint called Learning Not to Plagiarise Using 'Turnitin’ and ‘Humbox’ Sarah Hayes Video demonstrating plagiarism detection using the Turn It In online service with thanks to the creator: Mr Robert Toole Examples of plagiarism:in Archaeology Referencing & Bibliographies - Learning Unit 5 with thanks to the creator: Mr Brett Lucas
The centenary of the French presence in Algeria 1930 was commemorated in France through a variety of events and the production of posters glorifying France civilising mission in Algeria, notably the modernisation of the agricultural sector. On the other hand, the French Communist Party (PCF) and its affiliated union (CGTU) following the III International’ s anti-colonialism, insisted on colonial and capitalist exploitation of Algeria. The two posters included here allow to visualise such contrasting arguments
Lecture on Corpora in Stylistics
Introductory discussion activity to raise students awareness of the relationship between culture and globalisation
This is a powerpoint presentation which can help year one students in BA's in Spanish to gain a better understanding of the constrains and achievements of the transition of Spain to a democratic political system between 1975 and 1982. This resource contains video links to youtube and other links to webpages as well as content taken from Dr San Martín's presentation on the Spanish Political System that can be found in the HumBox. It can be used in the classroom, but it is also suitable for self-access. There is a word file with the lesson plan.
Collection of materials for an emergency lesson.
Brief lesson plan which draws on materials on the theme of
Resource exercise for the workshop
Short video of a fish market in Mexico.
Resources from the PRS conference, July 2010, on the theme of 'Courting Controversy.' Theoretical papers and practical classroom sessions.
PowerPoint to support workshop at Institutional Research in Higher Education conference, Dublin June 2010.
PowerPoint for PRS conference on issues around field visits, and the way iPods and Faith Guiding initiatives can address pitfalls.
Some pics of 'epic' Rome, and a few notes on the film Gladiator, with notes on its epic qualities. Usable with ideas of epic genre, literature through film. Pictures feature triumphal arches, the Collosseum, the equestrian statue of Marcus Aurelius, the Pantheon, and Trajan's Markets (a two-story Roman 'shopping mall'!). My own photographs, taken in open access, public areas.
Some pictures of the Belvedere Garden in Vienna, with a quick reference 'factfile' in support of the images. The Belvedere is a free access, public space. I have not included images of the restricted parts of the garden or palace. The photographs are my own.
Guide to what's where in Thomas Malory's Le Morte Darthur. The numbers refer to page numbers in Helen Cooper's edition for Oxford World's Classics, but can be used with other editions, as all is in the same order.
Don't get lost in Paradise Lost! Here is a quick reference guide to who and what is where in Milton's epic. Can be used with any edition.
This is a reusable learning object (RLO) about indigenous protest against government plans to open up the Peruvian Amazon to foreign investment. It integrates links to external content, self-assessment questions authored in Wimba Create and a suggested discussion board topic. The resource was developed for use with students on the MA in Human Security and Environmental Change at Nottingham Trent University.
A list illustrating the nature of the epic genre, linking medieval epic (in this case, especially the Song of Roland and the Bayeux Tapestry) with epic film (in this case, Gladiator, Fall of the Roman Empire, and El Cid...)
A list of topics and issues in Early Modern literature and culture, arising from study of Aphra Behn, but used to contextualise all my Early Modern and Enlightenment texts. Can be used 'as is' or adapted, changed, challenged, added to etc...
This class concentrates on the Restoration, but the methodology can be used for any classes...
These instructions were designed for students making posters for a seventeenth-century assessment. They can be used for classwork, for just about any purpose. Thinking about posters, dvd and book covers can help students organise their thoughts for writing essays.
Feedback form with an explanation of the nature and purpose of each section, intended for students.
Collection brings together a range of resources for use by staff to help students get more out of tutor feedback on their work.
This PowerPoint sets out a range of strategies that can be used to help students get more out of tutor feedback on their work. This was used for workshops at the 2010 Higher Education Academy conference and HEIR 2010 (Higher Education Institutional Research.)
A modern English rendition of The Gest of Robin Hood, for use with non-Middle English students, etc...etc...or as a parallel text
A quick 'ready-to-use' resource...a list of classical rhetorical devices, as an aid to spotting them. Brief, and to the point...I use this with Restoration/Early Enlightenment students
Want to talk about film but not sure what the terms mean? The terminology actually does help to analyse the film clip or still images from films. It can be put onto a vle, or given to students as a handout.
Another discussion starter, can be used with any suitable subject. As with all class activities, equality of access has to be borne in mind.
I used this with Margaret Cavendish's Female Orations, each group making an image of the 'lady' described by Cavendish in her 'academy'. I then photographed the images for display on the class vle. The idea can be used with any suitable text/s. As with all class activity, equal opportunity has to be borne in mind.
A good way of approaching a 'difficult' text, particularly suitable as an ice-breaking exercise for new students. Very good for Medieval/renaissance/early modern, but can be used with any suitable text from any period.
A generic ready-to-use or adaptable resource for explaining how to write an explanatory text in support of a project. This is used in literature projects, as an aid to assessment, but can be used in order to help devise learning outcomes and assessment criteria. For more on creative assessment criteria, see the ESC project, on the ESC site.
A modern English version of the Gamelyn story...for quick reference, or use as a parallel text, or with people who cannot (or don't want to) cope with the Middle English text
Another scene-by-scene for a popular film with medievalists and history tutors, as a ready-to-use resource or a template for adaptation or application to another film of your choice.
A scene-by-scene account of a film frequently used by medievalists. This can be used as a 'user-ready' resource for classes, or as a template for writing your own account of any film you wish to use.
Tips for film clip analysis, for class preparation and for assessment.
This tool helps students with technical issues when looking up words online - such as typing umlauts or navigating through dictionaries
These are listening and vocabulary tasks about the song "Denglisch" by the popular German group "Wise Guys". The topic is the use of English words in every-day German.
This PowerPoint presentation, aimed at undergraduate students, provides guidelines on how to make a good oral presentation. It includes guidance on group presentation, how to open a debate and conclude an oral presentation. It also suggests some technics to engage passive listeners.
America 1900-1949: Music, Times, Books, Stage, Film, Sports, Personalities (I NEED COMMENTS FROM THE 1,000+ HUMBOXIANS WHO HAVE DOWNLOADED THIS.)
This video presents views and opinions from ordinary members of the public.
This collection showcases some of the resources for Area Studies contained within HumBox
This collection showcases some of the resources in HumBox relating to linguistics and TESOL
This collection showcases some of the resources in HumBox relating to the study of languages and culture
An ice-breaker activity intended to question assumptions and stimulate discussion. Learners write down four things they associate with the French Revolution on a bingo card. The activity is designed so that those they are less likely to think of, such as the Declaration of the Rights of Man and Citizen, are 'called' before the more obvious ones (e.g. the guillotine). Contents: two slide powerpoint, bingo cards and rules.
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This is a short discussion in the Philosophy of Mind about Mental Content and Mental Representation. This a small excerpt from the AA 308 Tutorial that Dr C. Athanasopoulos delivered in Glasgow in May 2010.
Lecture slides
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Lecture slides on Locke, Primary and Secondary Qualities
Lecture slides on Locke and perception
Lecture slides for Locke and theories of perception
Lecture slides on Locke on innate ideas
Lecture slides for a lecture on Locke on innate ideas.
A short discussion starter on the implications of postmodernity especially for Christianity.
A short introduction to postmodernism, with an eye on its implications for Christianity.
This is a set of 10 questions focussed on John Harris's famous essay, "The Survival Lottery". They are to be used in a tutorial or procotorial or small group discussion in a first year course on applied ethics.
This is the course outline of an introductory course in Hegel's philosophy (Level 1).
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Until the Deixonne Law (1951) (see attached document), the status of regional languages in France had been rather precarious. Suspicion that regional languages hindered the propagation of progressive ideas and favoured separatist tendencies was rife among left-wing republicans. In this letter, a primary school teacher explained how the love of Breton is not incompatible with the love of France and how pedagogically the use of Breton is a tremendous tool to achieve a higher degree of fluency and accuracy in French. The letter is addressed to Maurice Deixonne, who was in charge to draft the legislative proposal which led to the formal, but limited, recognition of regional languages in 1951. The original letter can be found in OURS (Office Universitaire de Recherche Socialiste, Paris), the French Socialist Party’s private archives (web link included here). Final year and MA students may find this original document useful to discuss, evaluate and revisit the complex relations between French republicanism and cultural minorities.
This generative learning object uses a film clip from a Soviet/Bulgarian propaganda film which celebrates the beginning of the liberation of the Bulgarian people from the Ottoman Empire as a result of the Russo-Turkish War of 1877-8. It focuses on the Battle of Shipka and the Siege of Pleven.
Supporting students’ learning outside the classroom: promoting independence and autonomy in LLAS disciplines - Autonomous Learning Portfolio in Spanish: Personalised learning and motivation in a regulated learning environment, Antonio Martínez-Arboleda, University of Leeds. 27 May, 2010. Leeds Metropolitan University, Rose Bowl. LLAS Conference. This resource contains a main document, "SUMMARY OF PORTFOLIO TALK AND FINDINGS", and several related documents and videos to support and illustrate the main document.
Collection of PowerPoints and images to support teaching of aspects of Islam.
PowerPoint to support session on Western studies of the Prophet Muhammad, introduces a range of critical studies.
PowerPoint to support teaching about mosques in the local community.
PowerPoint to identify key features of a large purpose built mosque.
images in a PowerPoint to show features of a mosque concerned with funerary practices. Used with undergraduate Religious Studies students.
ESL tests for grammar, vocabulary, reading comprehension, different levels of complexity
it tests grammar and vocabulary for the intermediate ESL students
it tests grammar and vocabulary, acronyms as well, for upper- intermediate students
it tests grammar, vocabulary and reading- comprehension for intermediate, going gradually; reading comprehension.
it tests grammar and vocabulary, reading comprehension.
Literature and the computer generated three–dimensional landscape are the possibilities in which all our wishes can be fulfilled:we can see ourselves from the outside, adopt a new identity, be able to modify the environment through either verbal commands or physical gestures, see creative thoughts instantly materialized without having them for real. While reading, one gets “immersed” and experiences a virtual reality effect. It is similar to using a head-mounted display or a data-glove.
The Freudian idea that art bridges the gap between the pleasure principle and the reality principle also states that behind the “known”, behind that “veil” or that set of veils set by the writer, the analyst will find the “secret”, the drives that secretly urged the artist sublimate his driven-back feelings.
The paper tackles the concept of gratification and the need gratification theory with view to the creative process in a teaching environment, to then focus on the knowledge enriching need, to be found both in the teacher and in the student, the first one learning for the others, while the latter – learning for himself, to later also learn for the others.
A study on psychological processes involved in choosing certain aspects of the linguistic diversity and their effects on one’s behaviour, laying the premises that from servant, language can become a master. Examples are drawn from the media- advertising, commercials, TV, newspapers.
A focus on John Fowles' work seen from a psycho-analytical perspective, in a postmodern world. It is a would-be answer to whether the writer can become a complete individual by means of his work or not, when life is always considered a series of hazardous experiences meant to make us evolve.
An essay on how and why people behave; a material to be used with students to discuss the structure of an essay- (topic sentence, supporting details, facts and statistics) A writing task for students in advanced ESL.
The HumBox project partners held a two-day peer review workshop in September 2009 to advance the project, concentrating particularly on peer review. The event also included a session on copyright and IPR. The recorded highlights of this are available here, in wmv format. The discussions include presentations from the digital rights officers on the project and discussions on the issue of copyright amongst participants.
The importance of Logic as expressed by great minds from ancient Greece to the 21st century.
Powerpoint presentation An introduction to traditional Latvian music; classical composers, artists and conductors; ballet; modern music This is an introduction to Latvian music for Honours students studying Latvian Language, History, Society and Culture
Interactive learning activity consisting of questions based around a radio interview about the famous "Amantes de Teruel".
Level 4 English Language course on Syntax and Morphology. This forms part of a series of interactive learning activities that complement lecture and seminar delivery methods and work as continuous assessment. To see the nature of this resource please preview the word document.
Level 4 English Language course on Syntax and Morphology. This forms part of a series of interactive learning activities that complement lecture and seminar delivery methods and work as continuous assessment. To see the nature of this resource please preview the word document.
Level 4 English Language course on Syntax and Morphology. This forms part of a series of interactive learning activities that complement lecture and seminar delivery methods and work as continuous assessment. To see the nature of this resource please preview the word document.
Unspecified
This collection showcases some of the resources collected by Archaeology teachers and researchers at the University of Southampton. They all relate to the excavation of the Roman site of Portus and contain images from an exhibition relating to the project.
Learning materials for poetry translation autonomous learning actuivities plus video presentation of the student poetry project on poetry translation for the Facing Pages Symposium. University of Leeds, 23 April 2010. This resource includes a poster of the Facing Pages Symposium, poems translated by students, autonomous learning worksheets for the translation workshop and for the poetry and music event plus a link to a video with detailed explanations in Spanish of how the various learning activities came to life. Watching the video of the symposium presentation is not essential, although if you know some Spanish it may help.
An fun and intuitive LOC exercise to teach some aspects of wine and technology. Level: Beginners. You may also use the exercise at: http://languageforall.co.uk/USBWIne/USBwine.html Un exercice LOC amusant et intuitif pour enseigner certains aspects du et de la technologie vin. Niveau: Débutant. Vous pouvez aussi vous servir de l'exercice en ligne: http://languageforall.co.uk/USBWIne/USBwine.html
Powerpoint presentation - A brief introduction to famous people born in Latvia. This presentation can be used for culture and language classes. It was originally used to make role cards to practise introducing oneself.
This rough-and-ready powerpoint was put together by Alison Dickens and myself for OER10, when we had to rapidly stand in for our colleague who was unwell.
This presentation was given by me at the Open Learning Conference, Nottingham University, 25th November, 2009. It details the development of the HumBox project up to that point in time.
iPod Arabic Applications Directory: Mobile Tools & Applications Directory for Learning & Teaching Arabic http://www.e-arabic.com/resources/ipod-apps-arabic
mostly in pictures
e-Arabic Learning Portal (eALP): Networks & Mailing Lists. To help you stay up to date with events, news and developments in the field of TAFL (Teaching Arabic As a Foreign Language), as well as networking with fellow-minded professionals, the following directory contains links to: Professional Networks Mailing/Discussion Lists Professional Organisations (under development) If you are familiar with other networks, mailing lists, etc… that are not included in this directory, please get in touch. http://www.e-arabic.com/networksprojects/prof-networksmailing-lists
Powerpoint presentation of the novel A wartime memoir by Alaine Polcz, a Hungarian World War 2 survivor and memoirist. Used as lecture and seminar notes for women’s writing courses at Glasgow University.
An examination of linguistic, political and cultural issues relating to language identity among the Slavs
Map showing various definitions of the Eastern Townships (Cantons de l'Est), Quebec
A discussion list for teachers of Arabic This list is for teachers of Arabic in institutions of higher, further and secondary education to discuss issues policy, practice and resources. ARABIC-NETWORK@JISCMAIL.AC.UK Further info: https://www.jiscmail.ac.uk/cgi-bin/webadmin?A0=ARABIC-NETWORK
This is one of the 8 poems of Encarna Navarro which have been recorded in video for this collection. Students of Spanish literature and language can listen to this video recording, make notes, reflect upon the themes that appear in Encarna Navarro’s poetry and undertake independent or guided research on the references made in Encarna’s poems to well-known Spanish Poetry Classics. They can finally listen to the interview, where Antonio Martínez-Arboleda discusses with the poet some key questions about her poetry.
The Spanish poet from Lorca (Murcia) Encarna Navarro introduces her video collection of poems, which consists of 8 poems and an interview with Antonio Martínez-Arboleda. Students of Spanish literature and language can listen to this video recording, make notes, reflect upon the themes that appear in Encarna Navarro’s poetry and undertake independent or guided research on the references made in Encarna’s poems to well-known Spanish Poetry Classics. They can finally listen to the interview, where Antonio Martínez-Arboleda discusses with the poet some key questions about her poetry.
Poet Encarna Navarro, from Lorca (Murcia), is interviewed by Antonio Martínez-Arboleda in November 2009 following the reading of a selection of her poems that have been also published in the Humbox in video format. Encarna talks about the themes and inspiration of her work, her favourite readings, which include Becquer and García Lorca, and her writing.
The best way to learn any foreign language is simply to immerse yourself in the sounds and culture of your TL (target language). One authentic immersive environment in which you can improve your language dramatically is where the language is spoken and used on a daily basis. To benefit fully from your experience abroad you need to make an effort to create plenty of opportunities to interact with the locals and sample the local culture. Continue reading...... Source: http://www.e-arabic.com/top-ten-tips-to-improve-your-language-learning-skills-abroad
This collections includes video footage from the HumBox project peer review workshop, held in September 2009; partner presentations from the final partner meeting in February 2010 and a promotional video devised for dissemination. The video's are in mp4 format.
During the final HumBox project partner meeting in February 2010, each partner gave a presentation about the key points of their engagement with the project. This mp4 video is a recording of Opinderjiy Kaur Takhar's presentation and is approximately 5 minutes long.
During the final HumBox project partner meeting in February 2010, each partner gave a presentation about the key points of their engagement with the project. This mp4 video is a recording of Julie Watson's presentation and is approximately 5 minutes long.
During the final HumBox project partner meeting in February 2010, each partner gave a presentation about the key points of their engagement with the project. This mp4 video is a recording of Margaret Tejerizo's presentation and is approximately 5 minutes long.
During the final HumBox project partner meeting in February 2010, each partner gave a presentation about the key points of their engagement with the project. This mp4 video is a recording of Antonio Martinez-Arboleda's presentation and is approximately 5 minutes long.
During the final HumBox project partner meeting in February 2010, each partner gave a presentation about the key points of their engagement with the project. This mp4 video is a recording of Sarah Hayes' presentation and is approximately 5 minutes long.
During the final HumBox project partner meeting in February 2010, each partner gave a presentation about the key points of their engagement with the project. This mp4 video is a recording of Emmanuel Godin's presentation and is approximately 5 minutes long.
During the final HumBox project partner meeting in February 2010, each partner gave a presentation about the key points of their engagement with the project. This mp4 video is a recording of Michael Pidd's presentation and is approximately 5 minutes long.
During the final HumBox project partner meeting in February 2010, each partner gave a presentation about the key points of their engagement with the project. This mp4 video is a recording of Robert O'Toole's presentation and is approximately 5 minutes long.
During the final HumBox project partner meeting in February 2010, each partner gave a presentation about the key points of their engagement with the project. This mp4 video is a recording of Michael Jardine and Matthew Sauvage's presentation and is approximately 5 minutes long.
During the final HumBox project partner meeting in February 2010, each partner gave a presentation about the key points of their engagement with the project. This mp4 video is a recording of Billy Brick's presentation and is approximately 5 minutes long.
This short video guide looks at some of the issues involved in setting up resources effectively and reviewing resources for comment: connected processes in enabling users to find, use and repurpose teaching materials.
A lecture on Metaphor for first year undergraduate students studying English Language.
Your Gateway to a Growing Repository of Arabic eLearning Resources (In-House & Third Party). The (eArabic Learning Portal) provides a reference and access point to all our e-Learning resources and projects designed, developed and led by Mourad Diouri, the eLearning Lecturer, to support learners and teachers of Arabic as a foreign language.
A PDF both Russian and English of Shamil Khairov’s article in the Rusistika magazine on Reflections on amateur and fine-art photography in Post-Soviet Russia. This resourse is going to be a part of my course “The Russian C20 Visual culture” taught at Glasgow and Tampere, Finland.
This checklist was devised by the project team to help users consider resource uploading and reviewing effectively: the layout of the resource, how best to describe it, and the importance of metadata.
A Powerpoint Presentation (71 slides) of an exhibition that took place in Edinburgh in September – October 2009 on Russian rural and urban landscapes taken from 1998 to 2008. Used as part of the options course The Russian 20th century visual culture taught at Glasgow and Tampere.
Pdf file of a Shamil Khairov’s interview published in the “Цифровик» магазин. Discussion on the current state of art and amateur photography in Russia, Reproduction of S.Khairov original photographs. This resource is used in “The Russian C20 visual culture” taught at Glasogw and Tampere.
Powerpoint presentation - Identity, memory and landscape: a case study of Estonia. This was originally devised as a conference presentation, but has since been used for teaching purposes, on a summer school in Estonia in July 2009 and on an MSc course in Glasgow. The Powerpoint supported a workshop format, where students were invited to reflect on the various images in groups.
This 3-minute video was devised to help promote HumBox amongst colleagues, and at dissemination events. It includes brief interviews with two partners about why they got involved in the project and what they have got out of it, along with information and screenshots of HumBox itself. In wmv format.
The HumBox project partners held a two-day peer review workshop in September 2009 to advance the project, concentrating particularly on peer review. The recorded highlights of this fifth and final last 10 minutes, in wmv format. The discussions reflect partner thoughts on sustainability of the repository and how to disseminate the advantages of using HumBox effectively.
The HumBox project partners held a two-day peer review workshop in September 2009 to advance the project, concentrating particularly on peer review. The recorded highlights of this third session last for under 6 minutes, in wmv format. The discussions reflect partner thoughts on the attributes of the online space that will benefit colleagues and how project partners can engage them.
The HumBox project partners held a two-day peer review workshop in September 2009 to advance the project, concentrating particularly on peer review. The recorded highlights of this second session have been divided into 2 parts, lasting 8 and 6 minutes respectively, in wmv format. The discussions reflect partner thoughts on peer reviewing in the context of the workshop and the project.
The HumBox project partners held a two-day peer review workshop in September 2009 to advance the project, concentrating particularly on peer review. The recorded highlights of this first session have been divided into parts, just under 5 and 9 minutes long respectively, in wmv format. Together they reflect the discussions held on the importance and practicalities of reviewing resources in HumBox.
Watch a huge selection of streaming live and on-demand Arabic TV channels online either directly from e-Arabic.com or externally. http://www.e-arabic.com/mm-arabic/live-arabic
Using a variety of interactive Web 2.0 quizzing/testing and learning games tools, the e-Quiz/Game resource directory project is an initiative to design and archive a pool of theme- and skill-based interactive learning objects (quizzes, tests, games, etc.) to assess students’ understanding and application of key Arabic language skills. The directory includes both in-house and third-party resources. http://www.e-arabic.com/watch-read/e-quiz-directory
As the Arabs Say…كـَما قالـَت العَرَب Weekly Arabic Quotes, Proverbs, and Sayings for Learners of Arabic as a Foreign Language selected, podcasted and interpreted by Mourad Diouri www.v-arabic.com/aas/
Photo of Franz Schubert
Powerpoint presentations and class notes - different reading approaches of Karel Čapek’s travel writing. Used as powerpoint presentations accompanied with classnotes
Texts, powerpoint presentations Information on the life and work of several Czech authors As reference material; power points are used in class to complement lectures.
Powerpoint presentation on the influence of literature and the arts on politics. Used as a teaching aid
Powerpoint file - exploring Czech literature and politics from 1945 - 1989 used as teaching aids
Powerpoint and word documents - Covering Hungarian literature and culture. Used as teaching aids
Powerpoint verslecture given at Glasgow University on a Hungarian woman writer (life and work) Hungarian literature, women’s writing, literature and culture. Used as powerpoint aide in undergraduate lecture in Comparative Literature
Powerpoint version of a lecture given at Peter Pazmany RC University, Budapest. Hungarian literature, literature and culture, creating national cultural institutions. Used as powerpoint aide to summer school lecture.
Word document - A bibliography of English-language scholarly articles on 20th century Hungarian literature with electronic availability wherever possible Hungarian literature, women’s writing, literature and culture I have used it as an aide to find secondary material to Hungarian and comparative literature courses
Word document - The nature of Polish within a wider linguistic and cultural background. A brief article on Polish as a Slavonic language describing its distinctive features, grammar and history. This text was used as a part of level 1 introductory lecture on the Polish language.
Word document - THE THEATRE OF THE ABSURD historical term coined by the critic Martin Esslin for the work of a number of playwrights, mostly written in the 1950s and 1960s. Used as reference material in teaching
Texts, powerpoint presentations Information on the life and work of several Czech authors As reference material; power points are used in class to complement lectures.
Word document - Information on the life and work of Václav Havel. Used as reference material in teaching
Word document - Review of Milan Kundera´s Unbearable Lightness of Being. Used as reference material in teaching
Word document - Information on the life and work of Milan Kundera. Used as reference material in teaching.
Word document - Information on the life and work of Michal Viewegh. Used as reference material for teaching
Word document - Information on the life and work of Emil Hakl (real name Jan Beneš). Used as reference material in teaching
Information on the life and work of several Czech authors, Used as reference material in class to complement lectures
17 Participants respond to the question “How would you feel if the regional parliament and the regional government of the Autonomous Community of Murcia were to disappear tomorrow and all the decisions taken at regional level were to be taken instead at national level? Why? “. This is a collection of learning resources for the students of the Year 2 undergraduate module SPPO 2370/2371 (“Spain: Political Decentralisation and Integration in Europe”). School of Modern Languages and Cultures, University of Leeds.
Powerpoint presentation - Information on the life and work of Karel Capek. Used in class to complement lectures
Information on the life and work Karel Capek. Used as As reference material for teaching
PDF - Ethnic maps depicting Lithuanian distribution in Russian Empire (mid 19th century – 1914). Conference presentations, PhD dissertation
Ethnic maps depicting Lithuanian distribution in Russian Empire (mid 19th century – 1914. Conference presentations, PhD dissertation
Powerpoint presentation - Ethnic maps depicting Lithuanian distribution in Russian Empire (mid 19th century – 1914). Conference presentations, PhD dissertation
Powerpoint Presentations - Ethnic distribution in the North Western part of the Russian Empire (mid 19th c. – 1914. Ethnic maps depicting Lithuanian distribution in Russian Empire (mid 19th century – 1914. Conference presentations, PhD dissertation
Word document - Estonian History, Society and Culture The Livonian War. Estonians Under the Swedish Rule. The Great Norhern War. Handouts for the lectures of Estonian History, Society and Culture
Word document - Estonians in the 14th to 16th centuries. Handouts for the lectures of Estonian History, Society and Culture
Word document - Estonia in the Middle Ages and the The ancient Estonian religion. Handouts for the lectures on Estonian History, Society and Culture
Estonian history from the beginning to the Livonian War. Handouts for the lectures on Estonian History, Society and Culture
Word document - The beginning of Estonian history, until the end of the Iron Age. Handouts for the lectures on Estonian History, Society and Culture
Word document - Series of ethical scenarios designed to generate class/group discussion. Small groups of students are asked to discuss one of the four scenarios and then feed back to the group outlining what action they would take and why.
Word document - A film review of Czech film Vratné lahve (Empties, 2007). Used as source material for teaching
Word document - A review of Czech film Tajnosti (Secrets. Used as source material for teaching
Word document - A review of Czech film Štěstí (Something Like Happiness), directed by Bohdan Sláma. Used as source material for teaching
Word document - A review of Czech film Silný kafe (Bitter Coffee), directed by Bőrkur Gunnarsson. Used as source material for teaching
Word document - A review of Czech film Šílení (The Lunatics, directed by Jan Švankmajer. Used as source material for teaching
Word document - A review of Czech film Poslední motýl (The Last Butterfly),directed by Karel Kachyňa. Used as source material for teaching
Word document - A review of Czech film Nuda v Brně (Bored in Brno, directed by Vladimír Morávek. Used as source material for teaching
Word document - A Czech film review of Návrat idiota - The Return of the Idiot, directed by Saša Gedeon. Used as source material for teaching
Word document - Czech film review of Musíme si pomáhat Divided we fall,directed by Jan Hřebejk. Used as source material for teaching
Word document - Czech film review of Kouř - Smoke, directed by Tomáš Vorel. Used as source material for teaching
Word document - A Czech film review of Knoflíkáři - Buttoners,directed by Petr Zelenka. Used as source material for teaching
Word document - A Czech film review Jízda - The Ride, directed by Jan Svěrák. Used as source material for teaching
Word document - A Czech film review Je třeba zabít Sekala - Sekal must die, directed by Vladimír Michálek. Used as source material for teaching
Word document - A review of Czech film Babí léto - Indian summer directed by Vladimír Michálek. Used as a source for teaching
Word document - A review of Czech film Horem pádem - Helter Skelter, directed by Jan Hřebejk. Used as source material in teaching
Word document - review of Czech film, O rodičích a dětech - Of parents and children, director Vladimír Michálek
Powerpoint document - Information on the history of Contemporary Czech Cinema. Used as source material for teaching
Text and Powerpoint documents - Information on Czech cinema and a selection of recent Czech films. Used as source material for teaching
Word document - Information on the history of Czech cinema used as source material for teaching
A Barthesian analysis of a 2008 media "scandal" in which international writer Milan Kundera was accused by a Czech newsmagazine that he acted as a police informer in the Stalinist 1950s in Czechoslovakia. Published by kind permission of Focus on the Czech Republic (www.czechfocus.cz)
A selection of video interviews exploring the Czech: Economy, Literature and History. The video's have been produced for Humbox, but will be used for teaching
PowerPoint to support presentation on use of iPods in field visits.
Video interview with Dr Jan Culik discussing Czech History. The video footage was produced for Humbox, but will be used in teaching.
A video interview with Dr Jan Culik, Glasgow University discussing 20th Century Czech Literature. The video's have been produced for Humbox, but will be used for teaching
Czech 19th Century Literature this resource has been created for Humbox, but will be used for teaching
An Interview with Professor Martin Myant, University of the West of Scotland on the Czech Economy. This video was produced for Humbox, but will be used for teaching
A selection of documents used in language and culture lectures covering Latvia's History, Literature, Language, communities, folk art and music
This is a PowerPoint presentation and handout on writing an academic book review. It has been developed for use with postgraduate students undertaking research training.
This website: www.tesolacademic.org provides free video webcasts from leaders in the field and other researchers who talk about their work its impact on language pedagogy. Keynote contributors include David Little, Amy Tsui, David Nunan and Keith Johnson.
LOC Tool word recognition exercises based on 2 Clips from « Une femme est une femme », by Jean-Luc Godard. Intructions : Download and unzip folder onto the Desktop. Double-click html file to start exercise. If you want to upload to your server, put the folder into you root folder and FTP towards your server. Then point towards the .html file on your webpage (as a link).) _____________________________________________ Exercice LOC de reconnaissance des mots basé sur 2 clips de «Une femme est une femme», de Jean-Luc Godard. Intructions: Télécharger et décompresser vers le 'Desktop'. Double-cliquez sur le fichier HTML pour commencer l'exercice. Si vous souhaitez télécharger sur votre serveur, mettez le dossier dans le dossier racine de votre site et transferrez- le en mode FTP vers votre serveur. Puis pointez vers le fichier. html de votre page web (en tant que lien).)
In this exercise I take a clip from the film "Une femme est une femme", by Jean-Luc Godard, to illustrate the change in sense when the adjective is put before as opposed to after the noun. The link to the video is also provided, and it is on my own channel on YouTube, so it won't be taken down without me knowing about it. Instructions: Print the sheet out for each student, make them watch the video a couple of times, and then have them rehearse the lines in pairs, alternating roles. Dans cette exercice je prends un clip du film "Une Femme Est Une Femme», par Jean-Luc Godard, pour illustrer la variation de sens lorsque l'adjectif est placé avant, plutôt qu'après le substantif. Le lien vers la vidéo est également fourni, et il est de mon propre canal sur YouTube, de sorte qu'il ne sera pas enlevé sans que je sache. Instructions: Imprimer la fiche pour chacun des élèves, leur faire regarder la vidéo une ou deux fois, puis demandez-leur de répéter les dialogues en paires, en alternant les rôles.
collection of materials about Dr Ambedkar Buddha Vihara in Wolverhampton.
Range of resources for Sikhism, original use for Religious Studies. They could be used to explore aspects of Sikh philosophy, or to understand a local religious community.
This provides an example of an assessed task for students. They are able to see the feedback proforma to be used, with a marked example. Whilst this form is specific to this task, it could be adapted for other uses, to prepare students for the feedback they will receive on their work.
PowerPoint to share and showcase aspects for Religious Studies.
1.An annotated version of the article in the Figaro, appearing on 01/01/2010; describing the (now flawed) outline of priorities for the French government for this year (2010). Annotations include links to French official bodies' websites, quotations and definitions. 2. A link to a set YouTube videos created in Embedr. This set of videos includes at least 1 video for each 'chantier'. 3. A link to President Sarkozy's conference about the '5 chantiers' pour le grand emprunt. 1. Une version annotée de l'article dans le Figaro, qui paru le 01/01/2010; décrivant les (désormais en partie refutées) priorités pour le gouvernement français, cette année (2010). 2. Un lien vers un jeu de vidéos YouTube créé avec Embedr. Cette série de vidéos comprend au moins 1 vidéo pour chaque «chantier». 3. Un lien à la conférence du Président Sarkozy au sujet des "5 chantiers pour le grand emprunt".
This resource contains the poem "Los cuatro muleros", a popular song recuperated by Federico García Lorca, and its translation into English made by Emma Carr, a student of the University of Leeds, during the course of a Poetry Translation Workshop. The three videos include the song "Los cuatro muleros" sung in an informal setting by the Spanish poet Juan Ramón Barat. There are also some comments about the poem’s structure, origins, themes and impact of this “copla” featuring J.R. Barat and History Lecturer and poetry aficionado Juan Manzanares. The best know version of the song is by Spanish singer Ana Belén and can be found in youtube.
Use these checklist questions as a guide to reviewing and commenting on resources, and to assist you in deciding how and which resources to upload to HumBox.
A list of internet resources for Honours students studying Latvian Language, History, Society and Culture at beginners’ and intermediate level, as well as for students at all levels who are taking Latvian as their compulsory language as part of the language-based postgraduate degree in Russian, Central and East European Studies.
Powerpoint presentation on famous Slovenes, uses in language and culture lectures.
Powerpoint presentation on Slovenian literature. Used in language and culture lectures.
Series of documents used in lectures covering, history, grammar and all aspects of Slavonic languages.
Powerpoint presentation used in Slovene culture and language lectures. Exploring all aspects of Slovenian culture
Powerpoint presentation used in language and culture lectures. Exploring Slovenia today, communities, culture and habits
Powerpoint presentation used in Slovene language and culture lectures. Explores the history and cultural traditions of Slovenia
Powerpoint presentation used in modules covering Slovene Language and culture. Explores the history and legends of Slovenia
Powerpoint presentation used in modules about Slovene culture and language. Covering Slovene seography and tourism
Powerpoint presentations on various topics, covering different aspects of Slovene culture and civilization. Language, Geography and Tourism, History and Legends, Traditional Slovenia, Slovenia Today, Culture, Literature, Famous Slovenes. Used as teaching aids for modules about Slovene culture and other language modules to explain certain aspects of Slovenia
The objective of this activity is to view the news programme « El TD1 en cuatro minutos » and to ask the students to reproduce it as a role play in groups using some current articles from different newspapers. Each group will be given articles from a different Spanish-speaking country.
A tongue twister to practice the 'r' sound.
PDF Documents used as hand-outs intended to assist students in following the lectures and to serve as an aide-mémoire. They provide a brief description of the salient features of each of the Slavonic languages
Word Document - Plotting the Linguistic Map of Europe. an annotated list of the languages spoken in Europe, giving information on language relationships, the places where the languages are used, their status. the alphabet(s) used and (not in all instances) the number of speakers. Used as a handout
A series of Word Documents and Powerpoint presentations on Czech opera and two Czech operatic composers. Used as source material for teaching
An article published in the Edinburgh Review. Information on current Czech politics, literature and culture, Used as reference material
Word Document and Powerpoint presentation - A lecture on Constantine and Methodius and the introduction of Cyrillic liturgy to Moravia in the 9th century. Used as source material for teaching
Powerpoint presentation covering the Slovene Language, used as teaching aids in language modules
Word Document, Lecture - Stalin’s Consolidation of Power, 1924-41
Powerpoint presentation: A description of the development of the Latvian language, as well as folk songs, folk tales, proverbs and beliefs. This was originally a lecture as part of a series of events relating to Central and Eastern Europe.
A powerpoint presentation - A description of Latvian pagan deities, their symbols in folk art and folk songs, with English translations, in which these deities are mentioned. This presentation is the basis of a tutorial on Latvian mythology. We discuss the deities, look at examples of folk art and translate the folk songs into English.
A series of slides (jpg format) about using blogs in teaching.
A presentation (in Apple Keynote format) about how to create a short movie presenting an idea or argument. Talks about structure, narrative arc, audience. With demo videos. An online version for non-Apple users is at: http://blogs.warwick.ac.uk/inspireslearning/entry/how_to_film/
Notes on a lecture by Tim Brown (IDEO design). A video of the lecture is available online at http://deimos3.apple.com/WebObjects/Core.woa/Browse/mit.edu.2198324207 These notes were printed out and handed to each member of the International Design and Communication Management MA course, prior to a lecture. The video was shown in the lecture. This gave the students a head start in watching and understanding the video. It then supported them in using the concepts and techniques described in the video.
Slides on design thinking, prototyping, creativity and innovation - quotes from Tim Brown "Design Thinking", Harvard Business Review, June 2008.
A slide (jpg) illustrating 3 core problems in Higher Education teaching: School to HE Transition, Acquiring Threshold Concepts, Sustained Collaboration and Enterprise. With amusing images!
This is a series of nine modules that form a VLE course for first-year students on 'Academic Research'. The units have been written for Literature, Language and Linguistics students but could easily be modified to suit other contexts. Each learning unit contains at least one assessed exercise based on the content of that unit.
This is the ninth unit of a series forming a VLE course for first-year students on 'Academic Research'. In this unit students are given an overview of some of the attributes of appropriate writing style within academic essays. An assignment for students is also included.
This is the eighth unit of a series forming a VLE course for first-year students on 'Academic Research'. In this unit students are introduced to the basics of grammar and punctuation. Several assignments follow the overview text.
This is a guide giving advice on attributing materials effectively on HumBox.
This document gives advice on good practice in tagging in HumBox.
Collection of materials on the Dr Ambedkar Buddha Vihara in Wolverhampton. Mostly images, but also a MP4 audio tour, and a PowerPoint.
This picture presents the engraving of Ambedkar's motto: educate, agitate and organise.
Picture of Dr Ambedkar found within the Shrine Room.
Picture showing the statue of Dr Ambedkar.
Picture of the outside of the Buddha Vihara in Wolverhampton dedicated to Dr Ambedkar.
This is a picture of the bust of Dr Ambedkar, in the vihara in Wolverhampton founded by his followers.
This image shows the outside of the Manchester Jewish Museum. The building was originally built as a Sephardi Synagogue, so is more ornate than the usual Ashkenazi style of synagogue that most synagogues in the UK follow.
Aston University TESOL methododology materials
This resource includes a reproduction of a 1923 monument commemmorating the Tirailleurs Sénégalais who fought for France during the First World War. The original of this monument was erected in Reims and destroyed by the Germans in 1940. An exact copy used to be displayed in Bamako (Mali) but is not currently on public display. This small-scale reproduction may be viewed at the Musée des Forces Armées in Dakar (Senegal) This resource also includes the reproduction of a certificate awarded to a Tirailleurs Sénégalais batallion, in recognition of its bravery in battle during the First World War. The website: www.tirailleursenegalais.com, is very interesting in the way that it rehabilitates the tirailleurs into a national narrative ('batisseurs du monde libre') but of course completely glosses over the fact that many tirailleurs also fought for France in its two wars of decolonisation in Indochina and Algeria.
The e-Arabic Tandem Network is an initiative to support Arabic language learners to find partners from the Arabic-speaking world who are interested to support you with your Arabic language study. This is a mutual language partnership of two or more learners, where all involved benefit equally. This service is intended to help Arabic language learners to find an e-Tandem partner with whom they can improve their language skills as well as expand their cultural understanding of the target culture. To join the network, go to: http://etandem.ning.com/
Useful for undergraduates of Linguistics, and Psycholinguistics. This is a classic text used by Frederick Bartlett in his research into memory.
A powerpoint presentation for non-native speakers.
Useful for undergraduates or post-graduates studying Systemic Functional Linguistics. Here we see the MOOD structure (Interpersonal metafunction) explained.
This is a dedicated social and professional network for anyone involved in "Arabic as a foreign language" teaching, research or support. EatNet is a place where Arabic teaching professionals support each other. You are welcome to: ask questions, share and disseminate your experience, good practice, and relevant resources. To join the network, go to: v-Arabic.net
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This is a word cloud of Obama’s full speech in Cairo, Egypt. Credits: © Mourad Diouri Word Cloud created with wordle.net Read full speech in Arabic and English at http://www.v-arabic.com/vra/word-cloud-obamas-speech-in-egypt/
The Visual Arabic Library (مكتبة الموارد المرئية لتعليم اللغة العربية لغير الناطقين بها) is a Growing Library of Realia (i.e.real-life) Images and& Videos To Improve Your Visual Learning Of The Arabic Language www.v-Arabic.com/vra
Anne Burns podcast on research methods
Aston University Learning and teaching languages resources
ESOL and learning languages materials
Resources from Approaches to teaching and learning module
A presentation about a research paper on gathering european e-learning case studies
A video demonstrating how to edit your personal profile in HumBox, including adding a photo, and how to make your email address public.
Spanish poet Juan Ramón Barat and Juan Manzanares, Lecturer in History, comment on this poem focusing on its political content and context. There are plenty of references to the Spanish Civil War, the Franco dictatorship and how poetry and culture suffered during many years. Transcript of the video recommended. The text of the poem can found in http://www.poesia-inter.net/raec004.htm There are well known sung versions of this poem. Catalan singer Joan Manuel Serrat has produced the most popular one, which can be seen in websites such as youtube.
Grammar and Meaning resources
A checklist/reflective task for individual or class use of steps and procedures for student writers to follow to ensure good academic writing
A student checklist of considerations for preparing to give an oral presentation with focus on structure, control of language, technique, and practice
Resources reviewed and commented on during the project
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A reading comprehension with a difficult text to understand. I have used this exercise with my advanced level Spanish after watching Spanish news about several scandals between politicians and builders. Questions are not difficult, but understanding the text is.
Photographs taken during travel by air, rail and road. Includes zip file of all three (3) images.
A photograph of a Neapolitan street at night, Italy.
Photographs taken waterside, in Southampton, Hampshire, UK.
Photographs of things taken outdoors such as flowers, sand, graffiti on a wall, the sky, someone's rubbish.
Photographs of buildings and their details in Southampton, Hampshrie, UK.
Photographs of Salisbury Cathedral, Wiltshire.
Photographs of the outside of the Victoria and Albert Museum, South Kensington, London.
Photographs showing aspects of Humanities postgraduate research students being interviewed. Resource includes a zip file containing all sixteen (16) images.
Participant 17 responds to the question “How would you feel if the regional parliament and the regional government of the Autonomous Community of Murcia were to disappear tomorrow and all the decisions taken at regional level were to be taken instead at national level? Why? “. This video response is part of the collection of learning resources for the students of the Year 2 undergraduate module SPPO 2370/2371 (“Spain: Political Decentralisation and Integration in Europe”). School of Modern Languages and Cultures, University of Leeds.
Participant 16 responds to the question “How would you feel if the regional parliament and the regional government of the Autonomous Community of Murcia were to disappear tomorrow and all the decisions taken at regional level were to be taken instead at national level? Why? “. This video response is part of the collection of learning resources for the students of the Year 2 undergraduate module SPPO 2370/2371 (“Spain: Political Decentralisation and Integration in Europe”). School of Modern Languages and Cultures, University of Leeds.
Participant 15 responds to the question “How would you feel if the regional parliament and the regional government of the Autonomous Community of Murcia were to disappear tomorrow and all the decisions taken at regional level were to be taken instead at national level? Why? “. This video response is part of the collection of learning resources for the students of the Year 2 undergraduate module SPPO 2370/2371 (“Spain: Political Decentralisation and Integration in Europe”). School of Modern Languages and Cultures, University of Leeds.
Participant 14 responds to the question “How would you feel if the regional parliament and the regional government of the Autonomous Community of Murcia were to disappear tomorrow and all the decisions taken at regional level were to be taken instead at national level? Why? “. This video response is part of the collection of learning resources for the students of the Year 2 undergraduate module SPPO 2370/2371 (“Spain: Political Decentralisation and Integration in Europe”). School of Modern Languages and Cultures, University of Leeds.
Participant 13 responds to the question “How would you feel if the regional parliament and the regional government of the Autonomous Community of Murcia were to disappear tomorrow and all the decisions taken at regional level were to be taken instead at national level? Why? “. This video response is part of the collection of learning resources for the students of the Year 2 undergraduate module SPPO 2370/2371 (“Spain: Political Decentralisation and Integration in Europe”). School of Modern Languages and Cultures, University of Leeds.
Participant 2 responds to the question “How would you feel if the regional parliament and the regional government of the Autonomous Community of Murcia were to disappear tomorrow and all the decisions taken at regional level were to be taken instead at national level? Why? “. This video response is part of the collection of learning resources for the students of the Year 2 undergraduate module SPPO 2370/2371 (“Spain: Political Decentralisation and Integration in Europe”). School of Modern Languages and Cultures, University of Leeds.
Collection of resources of interest and that I have peer reviewed.
Guide for training new users of Second Life
Two wordles of English words of Arabic origin. In both English and Arabic.
Photograph of Chawton House
photograph of Jane Austen's house with some notes
A series of Instructional videos with screencasts.
The whys and hows of registering for HumBox, in a demonstration video with screen capture. Part of a series of videos.
Once France’s sub-Saharan African colonies became independent in 1960, African troops who had served France loyally both in the world wars and in its wars of decolonization did not fit easily into the official, nationalist narrative of postcolonial African leaders of an African nation united in the struggle against French colonialism. As a result their role and experiences were largely ‘forgotten’ for some forty years after independence. A powerful symbol of this official forgetting is that, as recently as 1999, in France’s oldest African colony Senegal, a French colonial monument originally cast in 1923 to commemorate the role played by African soldiers fighting for France in World War I, was removed to a small cemetery on the outskirts of Dakar because its presence in the centre of the city was considered too redolent of the country’s colonial past. Yet five years later the monument made a great comeback to the city centre after the announcement by the President Wade, in the presence of a plethora of African heads of state of former French colonies, of the creation of a national day to commemorate the tirailleurs. At the same time he also announced that the Senegalese government would henceforth pay an allowance to all Senegalese war veterans still alive on 2 March 2000, in addition to the increase in African war veterans’ pensions recently announced by France. Following this the monument was restored to the centre of the city to become the focal point of a vast commemoration project in which the Place de la Gare was renamed the Place du Tirailleur and designated as a memorial to African soldiers who perished in both world wars.
This podcast in Portuguese was created by Emilia Kroprowska ,a student of Spanish and Latin American Studies at the School of Languages and Area Studies, University of Portsmouth, as a part of a research project entitled ‘The Role of Student Audio Casting and Production in the Language Learning Curriculum’. The podcast was created using Audacity recording software and enhanced with free images using Windows Movie Maker. The recording is based on the student’s own original research carried out in the year 2007 - 2008. The theme is the Afro-Brazilian religion Candomblé. Ritual sacrifice of animals is a feature of this religion, a practice which is frequently misunderstood by people not familiar with the religion. The recording, based on an interview with a Brazilian practitioner of Candomblé, explains the true significance of this ritual and its meaning within the context of the religion as a whole. The podcast can be used as a learning resource in several different ways: as a focus for discussion, aural comprehension or as a base for further research by students in the field of Lusophone, Brazilian and Latin American studies. A transcript of the podcast is also provided.
a series of lectures which took place in April 2009
A collection of seminar and lecture materials for the Level 3 module on the French Wars of Religion.
A lectuer powerpoint presentation for the module 'Theatre of Cruelties'. This lecture deals specifically with Henri IV.
A lecture powerpoint presentation for the module 'Theatre of Cruelties'. This lecture refocuses the discussion of the French wars of religion to the nobles and how their culture added to a culture of 'noble violence'.
A lecture powerpoint presentation for the module 'Theatre of Cruelties'. This lecture handles the topic of the St Bartholomew's massacre.
A lecture powerpoint presentation for the module 'Theatre of Cruelties'. This lecture deals with religious, judicial and political reform.
A lecture powerpoint presentation for the module 'Theatre of Cruelties'. This lecture deals with the failure of the French monarchy between 1559-1562 and the outbreak of civil war.
A lecture powerpoint presentation for the module 'Theatre of Cruelties' . This lecture dels with Geneva and Jean Calvin's role in the French Reformation.
A lecture powerpoint presentation for the module 'Theatre of Cruelties'. This lecture deals with the monarchy's initial role in fighting heresy.
A lecture powerpoint presentation for the module 'Theatre of Cruelties' focued on the prelude to the French Wars of Religion.
Seminar outline with bibliography.
Seminar outline with bibliography and extracts.
Seminar outline with bibliography.
Seminar outline with bibliography. This resource also includes two papers on topics related to the seminar - authored by Mark Greengrass.
Seminar outline with seminar assignments, and a bibliography
Seminar outline with seminar assignments, bibliography and extracts.
Seminar outline with seminar assignments, bibliography and extracts.
Seminar outline with seminar assignments, bibliography and extracts.
Seminar outline with bibliography and biography on Richard Verstegan.
In this inaugural lecture, Professor Tony Chafer charts the evolution of French interest in, and relations with, Africa from the 19th century to today. The text, the video of the lecture and the corresponding PowerPoint presentation are included here with a separate bibliography.
This powerpoint presentation looks at the webbing strips found at the site of Quseir al-Qadim in Egypt. They were probably used as reinforcing strips in Roman sails on boats which sailed down the East coast of Africa and across to India. It can be used in conjunction with the excel spreadsheet containing all the webbing strip data.
This excel spreadsheet contains some data on Roman webbing strips. It records various attributes of the webbing strips and the data can be used by archaeology students to investigate e.g. correlations and frequency distributions or to generate graphs. It can be used in conjunction with the powerpoint on webbing strips
This video describes some of the archaeological fieldwork that has been taking place at the University of Southampton and University of Cambridge's excavations at Portus, the main port of ancient Rome.
These materials offer an introduction to preparing for and giving an academic presentation. They are designed for postgraduate international students, specifically in applied linguistics/ELT, although they could also be used with undergraduate students. The materials consist of a handout, and an accompanying PowerPoint.
Mark Greengrass, 'Rumeur et Bien Public dans Les Ligues Provinciales Catholiques: l'exemple de Laon'. Presented 17 July 2008. Discusses in particular Jean Bodin and the Catholic League.
Mark Greengrass, 'Technology and Tolerance during the Commonwealth: Samuel Hartlib and the Republic of Letters'. Given 27 March 1999 at the Colloque 1'Universite de Paris-X.
Paper given September 2008 by Mark Greengrass entitled: 'Governing Rhetorics in Transitional Politics: The case of Henri IV of France (with some Dutch comparisons)'. This paper discusses transitions of politics in Bourbon France and the Dutch Republic.
A paper given by Professor Mark Greengrass at the 1641 Depositions Workshop in Dublin on 12 December 2008. The paper focuses on mass violence in the seventeenth-century.
A collection of seminar sheets with bibliographies and topic summaries prepared for the Special Subject module: Ghosts, Witches and Portents in Early Modern Europe. This module ran at the Department of History, University of Sheffield.
This seminar deals with the Royal Society of London and the rising 'new science' and 'experimental philosophy' of the 17th century.
This seminar examines microscopy in the 17th century.
This seminar looks into the experimental philosophy that grew during the 17th century in Europe.
This seminar examines Millenarianism.
This seminar looks at the scriptural grounds for believing that the 'Last Days' would be accompanied by 'false prophets'.
This seminar explores the contested role of Astrology in early-modern Europe.
A seminar about early-modern almanacs and astrology and how opinions about these changed during the period.
This seminar explores how 'monstrous creatures' and human birth accidents were understood as signs of God's providence.
A seminar that explores beliefs in portents in early-modern Europe. This seminar is linked to seminar 07 on Protestant Piety.
A seminar focused on providential beliefs in early-modern Europe.
A seminar focused on reformation debates about miracles.
A Seminar examining sudden death and the belief in providential punishment in early-modern Europe.
This seminar focuses on Joseph Glanvill's Saducismus Triumphatus, which attempts to provide a 'reasonable' justification of the existence and power of witchcraft in the world.
A seminar examining the role of exorcism in Elizabethan protestant circles, and how the idea fitted uncomfortably in the revised religion.
This seminar examines the idea of Demonic possession in early-modern European thought.
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Collection of items reviewed by the HRI, University of Sheffield.
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This series of six two-hour classes looks at areas of grammar and academic style important for non-native speakers of English who are expected to produce written assignments such as essays and dissertations. Areas covered include the division of time (verb tense/aspect work), cautious language (hedging), text cohesion (discourse markers), the use of the passive, the use of personal pronouns, nominalization and other style tips. This is pitched at upper-intermediate to advanced students, IELTS 6.0 to 7.5/8.0.
Resources reviewed by Antonio Martinez-Arboleda in December 2009 as part of the peer review process prior to the launch of Humbox.
This activity is currently being used in the module SPPO 2650/1 "The Spanish regional Melting Pot: the old same History?" at the University of Leeds. This module is a Level 2 very popular option for all our BAs in Spanish. Students make their contributions via discussion boards in VLE Blackboard. The activity is aimed at facilitating students’ interaction and co-operation in the process of understanding the history of the Spanish State, the history of the different nationalist movements in Spain and the relationship between national identity, political allegiances and the interpretation of these sometimes conflicting “histories”. It also fosters transferable skills such as intercultural communication, analytical skills, critical skills, the ability to work as part of a group, negotiating skills, online communication skills, leadership and spirit of enquiry. The activity was first used in the module "Spain: Political Decentralisation and Integration into Europe" (SPPO 2370/1) in 2009 but has been updated since them. It received the University of Leeds Faculty of Arts Teaching Development Prize 2009/2010 and has attracted excellent student feedback.
This handout summarizes the many variations found of the Sikh Holy Scripture - the Guru Granth Sahibji
This presentation explores the origins, beliefs and practices of the Valmiki community. The Valmikis are a caste within the Dalit community.
The development of the Sikh Panth through the institutions made by the second to the ninth Sikh Gurus is explored in this presentation.
This presentation explores the compilation and content of the Guru Granth Sahib - the eternal Guru of the Sikhs.
Thsi handout for students summarizes the main points about the Sikhs' attitudes towards the caste system.
A handout for students summarizing the main beliefs and practices of the Ravidasi community.
A brief summary of the Namdharis, a handout for students.
This handout summarizes the teachings of the Guru Granth Sahib about God and the soul's entrapment in samsara (reincarnation).
This is a detailed look at what Sikh teachings from the Guru Granth Sahibji teach about God and the Human condition.
This handout for students summarizes the main practices found amongst the Sikhs.
This presentation, delivered to second year undergraduate students, takes a look at soem of the dominant practices amongst Sikhs.
This handout accompanies a presentation looking at issues relating to Sikh identity.
There are a number of theories as to whether the religious thought of the first Sikh Guru, Guru Nanak, may have been influenced by other traditions of the time. This presenttation explores soem of thses possible influences.
The issue of Sikh identity is one that has given rise to much debate over the years. This presentation examines some aspects and issues relating to Sikh Identity.
This handout for students highlights the teachings of the first Sikh Guru, Guru Nanak. It also explores possible influences on the thought of Guru Nanak.
This presentation examines the reasons and order of eents behind the creation of the Khalsa in 1699 CE.
This handout highlights the main developments and Institutions in Sikhism from the second to ninth Sikh Gurus
This handout accompanies the presentation outlining a Quick Introduction to Sikhism
This is a brief outline of the basics of the Sikh faith
Picture of the sanctuary in a progressive synagogue. (Birmingham Progressive Synagogue built in 1930s, now demolished.)
Picture of the sanctuary at Birmingham Progressive Synagogue (now demolished). Note the position of the bimah in a Progressive synagogue, as part of the platform in front of the ark.
Calligraphy in Arabic and English inside dome.
Image of the inside of the dome at Wolverhampton Central Mosque, showing calligraphy.
These four images show how the same digital data set collected through polynomial texture mapping, can be modified in the PTM software to highlight different details in the lettering and surface texture on this Roman brick stamp.
Collection of videos for places of worship
Collection of images of places of worship
Image of security arrangement at synagogue, intercom to gain entrance.
Image of the outside of the new progressive synagogue.
This short video explores the history and key features of a purpose built synagogue in Wolverhampton.
Podcast tour
This collection brings together a range of files, PowerPoints, images and videos on Christian places of worship in Wolverhampton.
The PowerPoint contains details about the font in The Collegiate Church of St. Peter, Wolverhampton. The video extract presents the history of the font and explains the symbolism of sections.
This collection holds a range of resources about Islam and Muslims in Wolverhampton.
This PowerPoint provides a range of images from the AMEZ (African Methodist Episcopal Zion) Church in Wolverhampton. This is a Black-Led church founded in the UK in the late 1960s.
This PowerPoint provides a range of images from a field visit to the Central Mosque. This is used within Religious Studies to explore aspects of Islam in the local community.
This PowerPoint provides information about mosques in Wolverhampton, with maps showing their location and pictures of mosques. This could be used to introduce aspects of Islam and mosques within Religous or cultural studies.
This PowerPoint introduces a range of issues about the commemoration on the Holocaust. It is used with first year History and Religious Studies students to explore reasons why there are so many memorial days.
Link to the Holocaust Memorial Day Trust website, with the 2010 theme 'The legacy of hope' to mark the 65th anniversary of the liberation of Auschwitz-Birkenau on 27th January 1945.
This collection brings together a range of materials relating to Jews and Judaism. They are specifically relevant to studies within Religious Studies, but may also be of use for History and Literary studies that relate to Jews and/ or Judaism.
This short quiz encourages students to think about their knowledge of Jews and Judaism at the start of their module on Judaism. It could be used within Religious Studies modules on world religions, or in other subjects when they touch on Jewish topics.
This exercise is used with first year Religious Studies students on the Judaism module. They are required to complete a book review, the first part of which is to undertake a CARS check on the author. The exercise includes two examples of CARS author checks to help develop their understanding of the task.
The exercise allows students to experiment with the concepts of prototype, goodness of example and family resemblance through the category of 'bird.'
A self-contained generative learning object about the "Battle of Cable Street" in London 1936. It contains instructive text, images, video and a simple multiple choice test. Download and de-compress the zip file, then open the GLO.html file in a web browser.
Self-contained learning objects created by Richard Hawkins of the University of Wolverhampton. They contain instructive texts, images, video and multiple choice questions.
A self-contained generative learning object about the Kindertransports evacuations of Jewish children from Nazi Germany in World War Two. It contains instructive text, images, video and a simple multiple choice test. Download and de-compress the zip file, then open the GLO.html file in a web browser.
Aston University TESOL Powerpoint explaining how to do Action Research
Professorial Lecture on 'Up an Orthographic Tree: Language Ideologies in Czech Spelling Reform', by Professor Neil Bermel, Department of Russian and Slavonic Studies, given Wednesday 11 June 2008.
Encouraging long turns in the classroom
Changing direction in online teacher education
Investigating learner initiatives in the EFL classroom
Dr Sue Garton Powerpoint: What we have learnt from nearly 20 years of research. Possible patterns in teacher beliefs (and practice?) The implications for teacher education. Where do we go from here?
Dominating the Algiers skyline is Maqam el-chahid (monument to the martyr), inaugurated in 1982 (under Chadli Bendjedid's presidency) to commemorate the twentieth anniversary of independence. Three enormous palmettes stretch 97 metres high, at the foot of each, three statutes are said to symbolise the three pillars of the proclaimed revolution, cultural, industrial and agrarian - although they are all armed men.
In her thesis‘To be a moudjahida in independent Algeria: itineraries and memories of women veterans of the Algerian War of Independence’ (University of London, 2008 under the supervision of Professor Julian Jackson), Natalya Vince provides a new examination of the diverse experiences of Algerian women during the War of Independence. It is the first study to analyse female veterans’ itineraries in the post-war period, investigating their status in contemporary Algerian society and their place in collective memories at national, local and familial levels. As such, it provides counterbalance to the popular and scholarly consensus that after the war women, willingly or not ‘went back into the kitchen’. The research incorporates extensive oral interviews with 30 female veterans, unexploited primary documents from Algerian, French and British archives and a survey of 95 students at a teacher training college in Algiers on their attitudes towards the war, veterans, the teaching of history and the transmission of memory. Using oral history challenges the monolithic, top-down treatment that has dominated historiography of the Algerian War, highlighting the importance of gender, socio-economic circumstances and locality in determining wartime and post-war experiences. The case study at the teacher training college in particular highlighted continuing shifts in interpretations of the war. Many students of this generation, born at the same time as the upsurge of Islamism in Algeria, framed the War of Independence as a holy war, employing a religiously-impregnated language which is not that of their elders. Here is an extract from an interview with an FLN nurse, carried out by Natalya Vince in Algiers in December 2005.
This is the seventh unit of a series forming a VLE course for first-year students on 'Academic Research'. In this unit students are helped to understand the basic structure of an essay, how to construct an introduction and conclusion and advanced use of paragraphing.
This is the sixth unit of a series forming a VLE course for first-year students on 'Academic Research'. In this unit students are introduced to 'the paragraph', learning how to understand the basic structure, the importance of using them, how to write topic sentences etc.
This is the fifth unit of a series forming a VLE course for first-year students on 'Academic Research'. In this unit students are sensitised to issues around plagiarism, learn how to use quotations in essays, how to reference primary & secondary sources and basic bibliographic skills.
This is the fourth unit of a series forming a VLE course for first-year students on 'Academic Research'. In this unit students learn how to discern the quality of websites for research purposes, the workings of online databases and how to use the internet as a reference tool.
Rafael Alberti's poem "A volar": Comments by Spanish poet Juan Ramón Barat in video plus some notes written by the author before the recording. You can read the poem and listen to it read by Nuria Espert in: http://www.palabravirtual.com/index.php?ir=ver_voz1.php&wid=1619&p=Rafael%20Alberti&t=A%20volar&o=Nuria%20Espert
The Spanish poet Juan Manuel Barat comments on Federico García Lorca's "Canción de jinete"
Dr Marie-Pierre Gibert answers questions on key themes in the relationship between politics and cultural practices in Israel, the advantages and difficulties of nterdisciplinary approaches and tells us tales of field work and dancing. (interview carried out by Natalya Vince, March 2009). The interview took place after the conference: 'France, North Africa and the Middle East: Interdisciplinary and Multimedia Perspectives', held at the University of Portsmouth on 18 March 2009.
Dr Joseph McGonagle, Lecturer in Cultural Studies in the French Speaking World, University of Manchester answers questions on key themes in filmic representations of Franco-Algerian relations, the advantages and pitfalls of using film to help students understand historical and contemporary Franco-Algerian relations(interview carried out by Natalya Vince, March 2009). The 12 minute interview took place just after the one-day conference on 'France, North Africa and the Middle East Interdisciplinary and Multimedia Perspectives', held at the University of Portsmouth on 18 March 2009. 1. What are some of the key themes in films that represent Franco-Algerian relations? 2. What are some of the advantages and some of the pitfalls of using films as a tool to help students to understand contemporaries or Franco-Algerian relations? 3. Do you think students are able to place their understanding of films in context of the real world? Do you think there’s a danger of over –interpretation? 4. Which 3 films would you choose which are most useful for students to study?
Presentation for a job interview 2 months ago for a 0.2 post as Blended Learning Fellow at the University of Winchester (which I now am). (Please note, the last 5 slides were hidden)
A presentation given to a group of PGCLTHE students (of which I am one), on how I have grown to love Twitter since February 2009, and some of the ideas I am collecting for using it in the classroom.
A PowerPoint presentation explaining how ENP works in practice, takes Egypt as a specific case-study. It is followed by a short bibliography on the subject as well as a link to the European Commission's Delegation to Egypt (http://ec.europa.eu/world/enp/index_en.htm). This resource is primarily aimed at undergraduate students of International Relations and European Studies.
This presentation looks at ethnicity with regards to traits, in particular, those associated with Israel and Judah.
This lecture handout looks at the theological and economic dimensions of sacrifice in ancient Judah.
This powerpoint presentation covers the various land tenure systems in Persian-era Yehud.
This lecture handout looks at the methodological issues in biblical studies.
This is a reading list for a module about the proposed sites of Yahwistic temples in the Neo-Babylonian, Persian and Hellenistic periods in the ancient near east.
This is a handout for a lecture on the Bible and the modern world.
This is an excercise for students practising Hebrew translation, using a passage from Exodus.
This is a lecture handout about canon formation.
The Pecresse law (11.08.2007) aims to give French universities a degree of autonomy and freedom (also known as ' loi LRU', i.e loi relative aux libertés et responsabilités des universités).Its introduction has generated a massive discontent and a high level of opposition among students and academics alike. As part of her undergraduate dissertation on 'Toulouse 2008: Ideology, Tactics and Organisation of Student Movements 40 years after May 68' (supervised by Dr Natalya Vince), Rosalind Parkin studied the reception of the Pecresse law in Toulouse, focussing on students' opposition to the law. A good level of French is necessary to understand the text of the law itself as well as the arguments developed by Association Générale des Etudiants de Toulouse or Democratie et Socialism, a think-tank on the left of the Socialist Party (PS). Undergraduate and PG students are most likely to benefit from such sources.
This document explains how group presentations have been used as a method of assessment in a module on the Bible and archaeology.
This powerpoint presentation sets out how portfolios were used as an assessment method on a Level 2 module about the Bible and the tragic vision.
This is a reading list for a module about the New Testament genre.
This is a handout for a lecture about the pre-Christian Paul, and his conversion.
This is a reading list for a module about early Christian Art.
This is the full text of a lecture about the Bible and early Christian art.
This is an extensive reading list for a module about the apostle Paul.
This is a reading list for a course on the Bible and the arts.
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A powerpoint from my module on American Conspiracy Theories
Lecture slides for theories of death and dying
Lecture slides exploring Indigenous Research Methodologies
A series of papers which explore: the formation of alternative narratives beyond neoliberalism; the functions of carnival within theatre and suggests playful applications in contemporary politics; the possibilities for performance to intervene in culture to effect change.
A PowerPoint that looks at being critical and creative.
Series of lectures from module on the Romantic novel: examines Castle Rackrent in the context of literary history; narrative voice in Castle Rackrent; Mansfield Park and Englishness; Mansfield Park, Marxism and post-colonialism; Walter Scott and the historical novel; gender and genre in Scott's Waverley; realism, the Gothic and Mary Shelley's Frankenstein; the politics of Gothic and the afterlives of Frankenstein; the critical reception of Hogg's Justified Sinner; the uncanny in the Justified Sinner; A powerpoint on the British novel in a state of transition during the Romantic period.
General advice on essay writing for Humanities students.
A powerpoint on general advice on essay writing for Humanities students and a handout to accompany the presentation.
Student politics in France is often dominated by a high degree - and high visibility- of political radicalism. If such radicalism is often the product of a well-organised minority on the extreme left of the political spectrum, it remains a central part of university life. As part of her undergraduate dissertation on 'Toulouse 2008: Ideology, Tactics and Organisation of Student Movements 40 years after May 68' (supervised by Dr Natalya Vince), Rosalind Parkin photographed a series of posters during her year abroad in Toulouse (2007-2008). Students' radicalism is not only aimed at president Sarkozy's reforms of higher education, but also expresses a commitment to feminism, anti-elitism, class-based politics, anti-fascism, and social solidarity. A good level of French is necessary to understand the posters and final year undergraduate and PG students are most likely to benefit from them.
A panel from an exhibition held at Southampton Museum and the British School at Rome on the University of Southampton's Portus project
A panel from an exhibition held at Southampton Museum and the British School at Rome on the University of Southampton's Portus project
A panel from an exhibition held at Southampton Museum and the British School at Rome on the University of Southampton's Portus project
A panel from an exhibition held at Southampton Museum and the British School at Rome on the University of Southampton's Portus project.
A panel from an exhibition held at Southampton Museum and the British School at Rome on the University of Southampton's Portus project.
A panel from an exhibition held at Southampton Museum and the British School at Rome on the University of Southampton's Portus project
A panel from an exhibition held at Southampton Museum and the British School at Rome on the University of Southampton's Portus project.
PowerPoint presentation on Poe's Gothic inheritance. Level One introduction to literature module
This collection contains original documents, academic texts and bibliographical references related to France and in its former Sub-Sahara African colonies.
Image if a dig site
Unspecified
Review of film by Italian director Ermanno Olmi
This document presents a series of exercises that help students understand the concept of plagiarism, using case studies from archaeological publishing.
This powerpoint gives an overview of the range of archaeological materials that can be found in Second Life, the online virtual world that is increasingly being used as a learning space by educational organisations.
This document contains a series of exercises that demonstrate how material from fieldwork such as visual, numeric and survey data should be used as evidence in supporting writing.
This document continues from Archaeological Writing 1, and gives students practice in organising the structure of a short written article, using an archaeology case study.
This document contains an exercise which helps students understand how written work is structured, using an archaeological examples.
This document contains a series of exercises which help archaeology students understand some of the important points in recording archaeological objects.
This is a lesson plan for small group activities for either undergraduate or postgraduate students, to encourage them to think about the concept of heritage.
A .ppt presentation which investigates the difference in language use between men and women including exercises and references to both the UK and other countries. The presentation is aimed at level 3 undergraduate students.
A word document including teachers notes from the module "Creating Stories for Children". Students are taught how to create characters and their nemesis. The materials are suitable for level 2 undergraduate students.
A word document from the module "Creating Stories for Children". Students are taught how to plan their stories and create convincing plots. The materials are suitable for level 2 undergraduate students.
A word document including teachers notes from the module "Creating Stories for Children". Students are taught how to generate ideas and critically analyse what type of stories publishers are looking for. The materials are suitable for level 2 undergraduate students.
A word document from the module "Creating Stories for Children". Students are asked to categorise a number of children's stories and to differentiate between age groups.
A word document including teachers notes from the module "Creating Stories for Children". Students are asked to define the various forms of children's stories and to differentiate between age groups. The teacher's notes provide numerous definitions and examples and the materials are suitable for level 2 undergraduate students.
A .ppt presentation from the module "Creating Stories for Children" which explains why it is better to show the reader rather than tell them. The presentation provides numerous examples and is suitable for using with level 2 undergraduate students.
Professorial Lecture on 'Making Ethics Intelligible', by Professor Jimmy Lenman, Department of Philosophy, given Wednesday 13 May 2009.
This IBL was created for the English Department’s first year module, History of English and used second and third year students as mentors. This resource was produced with the help of CILASS (Centre for Inquiry-based Learning in the Arts and Social Sciences) at the University of Sheffield (see http://www.shef.ac.uk/cilass).
A .ppt presentation examing the Spanish tragedy. The presentation details the various elements of the Spanish tragedy and incorporates questions for students to consider.
A.ppt presentation which examines the Greek tragedy including themes such as spiritual authority, revenge and reason, and power and control.
A .ppt presentation for a level 1 undergraduate course called Language in Literature: An Introduction to Stylistics. A number of student activities are also included.
This is the third unit of a series forming a VLE course for first-year students on 'Academic Research'. In this unit students are given several tasks to do in the library so as to familiarize themselves with both the catalogue and the physical layout.
This is the second in a series of Learning units that make up an online course for first-year students on 'Academic research'. This unit contains a brief introduction (reading material), followed by an assignment. The focus is on writing drafts and structuring ideas.
This learning unit is the first of nine in a first year module entitled 'Academic Research'. The unit is intended for delivery through a VLE and consists of a section containing 'Reading Material' about academic research (note-taking, browsing indexes,drawing up bibliographies etc) followed by two unit assignments: one for literature students and one for language and/or linguistics students.
This podcast in Portuguese was created by Emilia Kroprowska, a student of Spanish and Latin American Studies at the School of Languages and Area Studies, University of Portsmouth, as a part of a research project entitled ‘The Role of Student Audio Casting and Production in the Language Learning Curriculum’. The podcast was created using Audacity recording software and enhanced with free images using Windows Movie Maker. The recording is based on the student’s own original research carried out in the year 2007 - 2008. This podcast is a description of the Afro-Brazilian religion Candomblé by a filh-do-santo, or initiate, Mônica Baptista Costa. She speaks about the origin of the religion, in Africa approximately 5,000 years ago. She also explains why Candomblé is fundamentally a syncretic religion, and the difference between Candomblé, Umbanda and other religions in Brazil. The podcast can be used as a learning resource in several different ways: as a focus for discussion, aural comprehension or as a base for further research by students in the field of Lusophone, Brazilian and Latin American studies. A transcript of the podcast is also included.
This podcast in Portuguese was created by Emilia Kroprowska , a student of Spanish and Latin American Studies at the School of Languages and Area Studies, University of Portsmouth, as a part of a research project entitled ‘The Role of Student Audio Casting and Production in the Language Learning Curriculum’. The podcast was created using Audacity recording software and enhanced with free images using Windows Movie Maker. The recording is based on the student’s own original research carried out in the year 2007 - 2008. This podcast explains the role of Umbanda, a religion which was founded in brazil in 1908, and is a syncretic in nature, with influences from Christianity, Hinduism, Spiritism, and Africa-based religions. The recording explains the fundamental beliefs of Umbanda, its practices, and its role within Brazilian society. The podcast can be used as a learning resource in several different ways: as a focus for discussion, aural comprehension or as a base for further research by students in the field of Lusophone, Brazilian and Latin American studies. A transcription of the postcast, with additional photos, is also provided.
This podcast in Portuguese was created by James Letts, a student of Spanish and Latin American Studies at the School of Languages and Area Studies, University of Portsmouth, as a part of a research project entitled ‘The Role of Student Audio Casting and Production in the Language Learning Curriculum’. The podcast was created using Audacity recording software and enhanced with free images using Windows Movie Maker. The recording is based on the student’s own original research carried out in the year 2008. The recording presents commonly held stereotyped images and beliefs about Brazil, and the actual reality of Brazil as a modern industrial nation, with information about the nation’s technological innovations and social programmes. The podcast can be used as a learning resource in several different ways: as a focus for discussion, aural comprehension or as a base for further research by students in the field of Lusophone, Brazilian and Latin American studies. A transcript of the podcast is included as well as its English translation.
Unspecified
A basic guide on getting started on HumBox.
Presenting the HumBox project
Materials produced for peer-review workshop, University of Warwick, 14/15 September 2009
HumBox Promotion
Deliverables on IPR and copyright issues in OER repositories
Professorial Lecture on 'Up an Orthographic Tree: Language Ideologies in Czech Spelling Reform', by Professor Neil Bermel, Department of Russian and Slavonic Studies, given Wednesday 11 June 2008.
A lecture summary and powerpoint for the first lecture on the first-year module Sounds of English. The lecture is an introduction to the anatomy and physiology of speech. Also see http://www.shef.ac.uk/ipa/ for a website demonstrating the International Phonetic Alphabet created by Andrew Linn and Sandra Whiteside.
This podcast in Portuguese was created by Emilia Kropowska, a student of Spanish and Latin American Studies at the School of Languages and Area Studies, University of Portsmouth, as a part of a research project entitled 'The Role of Student Audio Casting and Production in the Language Learning Curriculum'. The podcast was created using Audacity recording software and enhanced with free images using Windows Movie Maker. The recording is based on the student's own original research carried out in the year 2007-2008. This podcast explains the role of orixás in the Afro-Brazilian religion of Candomblé, which was brought to Brazil during the era of slavery, and which has since become one of Brazil's major religions. Orixás play a pivotal role in Candomblé ritual and belief; they are intermediaries between human beings, nature and the divine. The podcast focuses particularly on the role of the orixá Exu, and what he represents within the belief system of Candomblé. The podcast can be used as a learning resource in several different ways: as a focus for discussion, aural comprehension or as a base for further research by students in the field of Lusophone, Brazilian and Latin American studies. A transcription of the podcast is provided.
This podcast in Portuguese was created by Emilia Kroprowska ,a student of Spanish and Latin American Studies at the School of Languages and Area Studies, University of Portsmouth, as a part of a research project entitled ‘The Role of Student Audio Casting and Production in the Language Learning Curriculum’. The podcast was created using Audacity recording software and enhanced with free images using Windows Movie Maker. The recording is based on the student’s own original research carried out in the year 2007 - 2008. The theme is the Afro-Brazilian religion Candomblé. The recording describes the religion’s origins in Africa, the means by which it was brought to Brazil, and subsequently adapted over the centuries. The recording also explains the theology, beliefs and rituals which are most characteristic of Candomblé. The podcast can be used as a learning resource in several different ways: as a focus for discussion, aural comprehension or as a base for further research by students in the field of Lusophone, Brazilian and Latin American studies. A transcription of the podcast including original photos is also provided.
A collection of drawings of views in Greece by the English traveller and archaeologist Edward Dodwell (1776/7-1832).
Image of Monastery of Megaspelia drawn by Edward Dodwell. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of Lake of Stymphalos drawn by Edward Dodwell. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of Temple of Apollo Epicurius drawn by Edward Dodwell. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of Plain of Olympia drawn by Edward Dodwell. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of Gate of the Lions at Mycenae drawn by Edward Dodwell. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of the Sepulchre of Hassan Baba drawn by Edward Dodwell. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of Mount Olympos as seen between Larrisa and Baba drawn by Edward Dodwell. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
A short multiple choice exercise on the language of oral presentations in English
Image of Larissa drawn by Edward Dodwell. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of the Hyperian Fountain at Pherae drawn by Edward Dodwell. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of the village of Portaria drawn by Edward Dodwell. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of the pass of Thermopylae drawn by Edward Dodwell. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of the Monastery of Phaineromene drawn by Edward Dodwell. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of the interior of the Temple of Jupiter Panhellenios drawn by Edward Dodwell. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of the Temple of Jupiter Panhellenios drawn by Edward Dodwell. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of South East view of the Temple of Sunium drawn by Edward Dodwell. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of Athens, from the foot of Mount Anchesmus drawn by Edward Dodwell. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of Temple of Jupiter Olympios and River llissos drawn by Edward Dodwell. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of Entrance to Athens drawn by Edward Dodwell. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of Bazar of Athens drawn by Edward Dodwell.
Image of Dance of the Derwisches drawn by Edward Dodwell. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
This pdf is derived from a seminar resource webpage from a core history undergraduate module looking at daily life in early modern society as part of the European World, 1500-1750. It includes hyperlinks to core resources, in the form of texts and images in a clear, reusable format.
Image of entrance to the Tower of the Winds drawn by Edward Dodwell. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
This pdf is derived from a seminar resource webpage from a core history undergraduate module looking at the European World, 1500-1750. It includes hyperlinks to core resources, in the form of texts, audio and images in a clear, reusable format.
Image of south view of the Erechtheion drawn by Edward Dodwell. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of West Front of the Parthenon drawn by Edward Dodwell. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of view of the Parthenon from Propylea drawn by Edward Dodwell. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of Katabathron of Lake Kopais drawn by Edward Dodwell. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of Ruins of Orchomenos drawn by Edward Dodwell. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of Parnassus drawn by Edward Dodwell. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of the Kastalian Spring drawn by Edward Dodwell. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of Dinner at Crisso drawn by Edward Dodwell. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of Port Bathy and Capital of Ithaca drawn by Edward Dodwell. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of a festival at Athens from a drawing by Edward Dodwell. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
A selection of images from a collection of two hundred and fifty coloured etchings describing the manners, customs, character, dress, and religious ceremonies of the Hindoos (Hindus) by the Flemish artist Balthazar Solvyns.
Image of a Rajpoot. Taken from a collection of two hundred and fifty coloured etchings descriptive of the manners, customs, character, dress, and religious ceremonies of the Hindoos by Balthazar Solvyns. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of a Soonree. Taken from a collection of two hundred and fifty coloured etchings descriptive of the manners, customs, character, dress, and religious ceremonies of the Hindoos by Balthazar Solvyns. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of a Doby. Taken from a collection of two hundred and fifty coloured etchings descriptive of the manners, customs, character, dress, and religious ceremonies of the Hindoos by Balthazar Solvyns. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of a Seuly. Taken from a collection of two hundred and fifty coloured etchings descriptive of the manners, customs, character, dress, and religious ceremonies of the Hindoos by Balthazar Solvyns. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of Aboyty. Taken from a collection of two hundred and fifty coloured etchings descriptive of the manners, customs, character, dress, and religious ceremonies of the Hindoos by Balthazar Solvyns. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of a Dandy. Taken from a collection of two hundred and fifty coloured etchings descriptive of the manners, customs, character, dress, and religious ceremonies of the Hindoos by Balthazar Solvyns. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of a Chassa-Doba. Taken from a collection of two hundred and fifty coloured etchings descriptive of the manners, customs, character, dress, and religious ceremonies of the Hindoos by Balthazar Solvyns. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of a Doam. Taken from a collection of two hundred and fifty coloured etchings descriptive of the manners, customs, character, dress, and religious ceremonies of the Hindoos by Balthazar Solvyns. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of a Jooghee. Taken from a collection of two hundred and fifty coloured etchings descriptive of the manners, customs, character, dress, and religious ceremonies of the Hindoos by Balthazar Solvyns. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of a Hulwye. Taken from a collection of two hundred and fifty coloured etchings descriptive of the manners, customs, character, dress, and religious ceremonies of the Hindoos by Balthazar Solvyns. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of a B'haut. Taken from a collection of two hundred and fifty coloured etchings descriptive of the manners, customs, character, dress, and religious ceremonies of the Hindoos by Balthazar Solvyns. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of a Tauntee. Taken from a collection of two hundred and fifty coloured etchings descriptive of the manners, customs, character, dress, and religious ceremonies of the Hindoos by Balthazar Solvyns. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of a Koalhoo. Taken from a collection of two hundred and fifty coloured etchings descriptive of the manners, customs, character, dress, and religious ceremonies of the Hindoos by Balthazar Solvyns. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of a Chunhaury. Taken from a collection of two hundred and fifty coloured etchings descriptive of the manners, customs, character, dress, and religious ceremonies of the Hindoos by Balthazar Solvyns. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of a Gwalla. Taken from a collection of two hundred and fifty coloured etchings descriptive of the manners, customs, character, dress, and religious ceremonies of the Hindoos by Balthazar Solvyns. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of a Chooter. Taken from a collection of two hundred and fifty coloured etchings descriptive of the manners, customs, character, dress, and religious ceremonies of the Hindoos by Balthazar Solvyns. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
This series of podcast lectures (from the British Parliamentary and Electoral Politics undergraduate module at the University of Warwick) provide an introduction to British political culture in the long eighteenth century from the Glorious Revolution to the Great Reform Act. This period has long been the subject of fierce debate by historians who have put forward competing interpretations on the nature of government and representation; on the democratic impulse; and on the extent of popular participation in political life.
Image of a Tamooly. Taken from a collection of two hundred and fifty coloured etchings descriptive of the manners, customs, character, dress, and religious ceremonies of the Hindoos by Balthazar Solvyns. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of a Sonaur-Bannya. Taken from a collection of two hundred and fifty coloured etchings descriptive of the manners, customs, character, dress, and religious ceremonies of the Hindoos by Balthazar Solvyns. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of a Kapauly. Taken from a collection of two hundred and fifty coloured etchings descriptive of the manners, customs, character, dress, and religious ceremonies of the Hindoos by Balthazar Solvyns. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
This series of lecture podcasts (from the School of Comparative American Studies at the University of Warwick) examines English colonies in North America from their establishment in the early seventeenth century to their break away from Britain in the 1770s. They discuss why the English felt the need for colonial expansion in the sixteenth and seventeenth centuries, why they chose North America and how they went about creating new societies three thousand miles from home.
Professorial Lecture on 'Science and Ideology in Early Soviet Linguistic Theory', by Professor Craig Brandist, Department of Russian and Slavonic Studies, given Wednesday 28 January 2009.
A podcast lecture on British parliamentary and electoral politics, 1688-1832: electoral politics in the age of reform
A podcast lecture on British parliamentary and electoral politics, 1688-1832: Whigs and tories, 1780-1832
A podcast lecture on British parliamentary and electoral politics, 1688-1832: Burke, Paine and Wollstonecraft
A podcast lecture on British parliamentary and electoral politics, 1688-1832: The French Revolution and British Politics
A podcast lecture on British parliamentary and electoral politics, 1688-1832: print and politics
A podcast lecture on British parliamentary and electoral politics, 1688-1832: radicalism, 1760-90
A podcast lecture on British parliamentary and electoral politics, 1688-1832: George III and the politicians
A podcast lecture on British parliamentary and electoral politics, 1688-1832: The Age of Oligarchy, Jacobites and Opposition Politics
Image of a Gund-Bunnya. Taken from a collection of two hundred and fifty coloured etchings descriptive of the manners, customs, character, dress, and religious ceremonies of the Hindoos by Balthazar Solvyns. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of a Myra. Taken from a collection of two hundred and fifty coloured etchings descriptive of the manners, customs, character, dress, and religious ceremonies of the Hindoos by Balthazar Solvyns. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of a Bowry. Taken from a collection of two hundred and fifty coloured etchings descriptive of the manners, customs, character, dress, and religious ceremonies of the Hindoos by Balthazar Solvyns. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of a Jellee-A Bearer. Taken from a collection of two hundred and fifty coloured etchings descriptive of the manners, customs, character, dress, and religious ceremonies of the Hindoos by Balthazar Solvyns. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of a Doolee-A Bearer. Taken from a collection of two hundred and fifty coloured etchings descriptive of the manners, customs, character, dress, and religious ceremonies of the Hindoos by Balthazar Solvyns. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of a Rowanny Bearer. Taken from a collection of two hundred and fifty coloured etchings descriptive of the manners, customs, character, dress, and religious ceremonies of the Hindoos by Balthazar Solvyns. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of an Ooria Bearer. Taken from a collection of two hundred and fifty coloured etchings descriptive of the manners, customs, character, dress, and religious ceremonies of the Hindoos by Balthazar Solvyns. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of a Tilly. Taken from a collection of two hundred and fifty coloured etchings descriptive of the manners, customs, character, dress, and religious ceremonies of the Hindoos by Balthazar Solvyns. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of a Kumaur. Taken from a collection of two hundred and fifty coloured etchings descriptive of the manners, customs, character, dress, and religious ceremonies of the Hindoos by Balthazar Solvyns. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of a Cansaury. Taken from a collection of two hundred and fifty coloured etchings descriptive of the manners, customs, character, dress, and religious ceremonies of the Hindoos by Balthazar Solvyns. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of a Sunkaury. Taken from a collection of two hundred and fifty coloured etchings descriptive of the manners, customs, character, dress, and religious ceremonies of the Hindoos by Balthazar Solvyns. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of an Auheer. Taken from a collection of two hundred and fifty coloured etchings descriptive of the manners, customs, character, dress, and religious ceremonies of the Hindoos by Balthazar Solvyns. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of a Chassa-Kybert. Taken from a collection of two hundred and fifty coloured etchings descriptive of the manners, customs, character, dress, and religious ceremonies of the Hindoos by Balthazar Solvyns. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of a Mauly. Taken from a collection of two hundred and fifty coloured etchings descriptive of the manners, customs, character, dress, and religious ceremonies of the Hindoos by Balthazar Solvyns. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of a Nauy. Taken from a collection of two hundred and fifty coloured etchings descriptive of the manners, customs, character, dress, and religious ceremonies of the Hindoos by Balthazar Solvyns. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of a Coomhar. Taken from a collection of two hundred and fifty coloured etchings descriptive of the manners, customs, character, dress, and religious ceremonies of the Hindoos by Balthazar Solvyns. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of a Beraye. Taken from a collection of two hundred and fifty coloured etchings descriptive of the manners, customs, character, dress, and religious ceremonies of the Hindoos by Balthazar Solvyns. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of Augrees. Taken from a collection of two hundred and fifty coloured etchings descriptive of the manners, customs, character, dress, and religious ceremonies of the Hindoos by Balthazar Solvyns. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of a Dybuck. Taken from a collection of two hundred and fifty coloured etchings descriptive of the manners, customs, character, dress, and religious ceremonies of the Hindoos by Balthazar Solvyns. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of a Causto. Taken from a collection of two hundred and fifty coloured etchings descriptive of the manners, customs, character, dress, and religious ceremonies of the Hindoos by Balthazar Solvyns. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of a Byde. Taken from a collection of two hundred and fifty coloured etchings descriptive of the manners, customs, character, dress, and religious ceremonies of the Hindoos by Balthazar Solvyns. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of a Sudgope. Taken from a collection of two hundred and fifty coloured etchings descriptive of the manners, customs, character, dress, and religious ceremonies of the Hindoos by Balthazar Solvyns. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of a Sic (Sikh). Taken from a collection of two hundred and fifty coloured etchings descriptive of the manners, customs, character, dress, and religious ceremonies of the Hindoos by Balthazar Solvyns. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of a Soodder. Taken from a collection of two hundred and fifty coloured etchings descriptive of the manners, customs, character, dress, and religious ceremonies of the Hindoos by Balthazar Solvyns. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of a Byce. Taken from a collection of two hundred and fifty coloured etchings descriptive of the manners, customs, character, dress, and religious ceremonies of the Hindoos by Balthazar Solvyns. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Unspecified
Image of a K'huttry. Taken from a collection of two hundred and fifty coloured etchings descriptive of the manners, customs, character, dress, and religious ceremonies of the Hindoos by Balthazar Solvyns. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of an Ooria, Brahmun. Taken from a collection of two hundred and fifty coloured etchings descriptive of the manners, customs, character, dress, and religious ceremonies of the Hindoos by Balthazar Solvyns. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of a Brijbasi, Brahmun. Taken from a collection of two hundred and fifty coloured etchings descriptive of the manners, customs, character, dress, and religious ceremonies of the Hindoos by Balthazar Solvyns. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of a Drawer, Brahmun. Taken from a collection of two hundred and fifty coloured etchings descriptive of the manners, customs, character, dress, and religious ceremonies of the Hindoos by Balthazar Solvyns. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of a Kanoge, Brahmun. Taken from a collection of two hundred and fifty coloured etchings descriptive of the manners, customs, character, dress, and religious ceremonies of the Hindoos by Balthazar Solvyns. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of a Srotery, Brahmun. Taken from a collection of two hundred and fifty coloured etchings descriptive of the manners, customs, character, dress, and religious ceremonies of the Hindoos by Balthazar Solvyns. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Images of Eighteenth Century French Costume supplied by the collections of the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of Eighteenth Century French Costume: Le Vrai Bonheur. Drawn by Jean Michel Moreau for his Restif de La Bretonne. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of Eighteenth Century French Costume: Le Seigneur Chez son fermier. Drawn by Jean Michel Moreau for his Restif de La Bretonne. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of Eighteenth Century French Costume: Le Souper Fin. Drawn by Jean Michel Moreau for his Restif de La Bretonne. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of Eighteenth Century French Costume: La Sortie de L'Opera. Drawn by Jean Michel Moreau for his Restif de La Bretonne. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of Eighteenth Century French Costume: La Surprise. Drawn by Jean Michel Moreau for his Restif de La Bretonne. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of Eighteenth Century French Costume: La Petite Loge. Drawn by Jean Michel Moreau for his Restif de La Bretonne. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Images of Eighteenth Century French Costume: Qui ou Non. Drawn by Jean Michel Moreau for his Restif de La Bretonne. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Religious studies module lecture series.
Image of Eighteenth Century French Costume: Le Partie de Wisch. Drawn by Jean Michel Moreau for his Restif de La Bretonne. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of Eighteenth Century French Costume: Le Pari gagne. Drawn by Jean Michel Moreau for his Restif de La Bretonne.
Image of Eighteenth Century French Costume: La Course des Chaveaux. Drawn by Jean Michel Moreau for his Restif de La Bretonne. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of Eighteenth Century French Costume: Le Matinee. Drawn by Jean Michel Moreau for his Restif de La Bretonne. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of Eighteenth Century French Costume: La Grande Toilette. Drawn by Jean Michel Moreau for his Restif de La Bretonne. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of Eighteenth Century French Costume: Le Petite Toilette. Drawn by Jean Michel Moreau for his Restif de La Bretonne. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of Eighteenth Century French Costume: Le Lever. Drawn by Jean Michel Moreau for his Restif de La Bretonne. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of Eighteenth Century French Costume: La Dame du Palais de la Rein. Drawn by Jean Michel Moreau for his Restif de La Bretonne. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of Eighteenth Century French Costume: La Reconotre au Bois de Boulogne. Drawn by Jean Michel Moreau for his Restif de La Bretonne. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of Eighteenth Century French Costume: Les adieux. Drawn by Jean Michel Moreau for his Restif de La Bretonne. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of Eighteenth Century French Costume: Le Rendez-vous pour Marly. Drawn by Jean Michel Moreau for his Restif de La Bretonne. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of Eighteenth Century French Costume: L'accord Parfait. Drawn by Jean Michel Moreau for his Restif de La Bretonne. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of Eighteenth Century French Costume: Les Delices de la Maternite. Drawn by Jean Michel Moreau for his Restif de La Bretonne. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of Eighteenth Century French Costume: Les Petits Parains. Drawn by Jean Michel Moreau for his Restif de La Bretonne. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of Eighteenth Century French Costume: C'est un Fils, Monsieur! Drawn by Jean Michel Moreau for his Restif De La Bretonne. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of Eighteenth Century French Costume: N'ayez Pas Peur, Ma Bonne Amie. Drawn by Jean Michel Moreau for his Restif de La Bretonne. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of Eighteenth Century French Costume: J'en Accepte L'Heureux Presage. Drawn by Jean Michel Moreau for his Restif de la Bretonne. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of Eighteenth Century French Costume: Les Precautions. Drawn by Jean Michel Moreau for his Restif de La Bretonne. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of Eighteenth Century French Costume: 'Declaration de la Grossesse'. Drawn by Jean Michel Moreau with accompanying text by Restif de la Bretonne. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
This short English Heritage video is part of the 'Our Faith Buildings' project from 2005. In this extract Deirdre Burke explains aspects of the history and architecture of the synagogue.
This is a short video of a reading from the Adi Granth in the Ramgharia Board gurdwara in Wolverhampton.
These presentations are delivered to students studying Sikhism in their second year at the University of Wolverhampton. These can be used by historians and sociologists whose focus is South Asian Communities.
A study of the Ravidasi community is an important feature for students looking at the issue of caste within Sikhism. This presentation examines the teachings of the Sikh Gurus towards caste. It looks at the contradictions between religious teachings with actual praxis. A substantial proportion of the Ravidasi community claim that they have been discriminated against by higher caste Sikhs because of the stigma of untouchability associated with the traditional caste (zat) occupation of the chamars.
This presentation looks at the importance of informant testimonies to enhance an understanding of Sikhism. It is an important tool for students looking at research methods within studying religion. The presentation highlights the importance of overcoming stereotypical representations of the Sikh community.
This presentation is delivered to second year students of Sikhism. There is an increasing number of non-Punjabis following the teachings of the Sikh Gurus. Yogi Bhajan was instrumental in introducing Sikhism to his American yoga students. Initially this was delivered under the activities of the Sikh Dharma of the Western Hemisphere.
This handout is used by students studying Sikhism at the University of Wolverhampton. They are encouraged to use the spellings in Punjabi for their assignments.
This presentation looks at a sect within Sikhism. The Namdharis are regarded as heretics by many Sikhs due to their tradition of continuing the line of human Gurus. In effect, they do not give Guru status to the Adi Granth. The presentation looks at their theories regarding the 'drama' enacted by Guru Gobind Singh in 1708 and examines their justification for declaring that the words "Guru Maniyo Granth" were not uttered.
This presentation is delivered to students who take the Sikhism Module. It looks at the apparent paradox in the teachings of Guru Nanak, especially, with regard to whether it is one's deeds or the Will of God that is a prerequisite to Mukti (the release from the cycle of reincarnation - samsara).
Professorial Lecture entitled 'Schools of English in Contemporary Society: The Importance of Richard Hoggart', given by Professor Sue Owen on Wednesday 3 December 2008.
A series of podcasts of lectures given during the 2008/2009 session at the University of Sheffield for the Centre for Research into Freemasonry and Fraternalism.
This lecture assesses the importance of Masonic ideas and symbolism in Petrine Russia. It will be argued that Peter the Great (1672-1725) absorbed elements of a Masonic worldview. Lecture given by Robert Collis on 5 March 2009 for the Centre for Research into Freemasonry and Fraternalism. This lecture is provided as both a podcast and as a written document.
The triumph of nationalism destroyed the multi-ethnic Ottoman political and social order and replaced it by nation-states. Many explanations attributed the mass violence to a devious conspiracy between (crypto-) Jews, Freemasons, and Turks against Greeks and Armenians. Ugur Ungor argues that these pseudo-explanations are a product of two processes: one of competition between victim groups, and another of intellectual secularization. Lecture given 13 November 2008 for the Centre for Research into Freemasonry and Fraternalism.
A lecture that deals with the first provable masonic lodges mainly in Beirut at the end of the 19th and start of the 20th Century. Given by Dorothe Sommer for the Centre for Research into Freemasonry and Fraternalism on 16 October 2008.
Background information about the "Admission all Classes" Project written by Professor Vanessa Toulmin. This resource was created as part of the National Fairground's AHRC-funded project, 'Admission All Classes', in association with Blackpool Council (see http://www.admissionallclasses.co.uk). The resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa/dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
'Learning about Crime' by Professor Robert Shoemaker, Department of History, given Wednesday 21 May 2008. Also includes short talks about the newly expanded version of Old Bailey Proceedings Online Website by Professor Clive Emsley (Open University) and Professor Tim Hitchcock (University of Hertfordshire).
A series of Inaugural Professorial Lectures held at the University of Sheffield under the auspices of the Humanities Research Institute.
Professorial Lecture on 'The Problem of Mathematical Objects - a Modest and Sober Platonism' by Professor Bob Hale, Department of Philosophy, given Wednesday 5 March 2008.
A powerpoint that explores some of the linguistic features of contemporary science writing.
A powerpoint that explores ideas of gender, language and performativity. It was originally delivered as part of a level three module on Language and Gender.
Podcast of Professorial Lecture given on Wednesday 10 October 2007 entitled 'Jack Rosenthal: From Coronation Street to Bar Mitzvah Boy', by Professor Sue Vice.
Podcast of Professorial Lecture given on Wednesday 23 May 2007 entitled 'Emotional Archaeology: on the uses of medieval French Literature' by Professor Penny Eley.
Podcast of lecture given on Wednesday 10 May 2006 entitled 'Exiling History' by Professor Martial Staub.
A workshop exercise which explores the ethical implications of Sociolinguistic research.
A workshop exercise which involves a very basic quantitative analysis of social and linguistic variation. It requires students to analyse an extract of data, identify variants, quantify them and analyse patterns of variation in a larger dataset. Note: This resource contains occasional swear words.
A workshop exercise which can be used to explore the interaction between linguistic variables and social factors such as social class and style.
A powerpoint which provides guidance on how to undertake a basic quantitative sociolinguistic study.
A powerpoint which explores the study of Style in Sociolinguistics. It considers the different approaches to Style that have been used and give examples from relevant studies.
A powerpoint which explores how Sociolinguists have studied language variation in small, local groups. It explores the concepts of Social Network and Community of Practice and examines work undertaken using these methodologies.
A powerpoint which explores how Sociolinguists have studied Gender. It explores the meaning of the term 'gender' and compares the findings of Variationist and Interactional studies.
A powerpoint which explores how Sociolinguists have traditionally studied Social Class and Style. It considers how Sociolinguistic work differs from Dialectology and examines the concept of the Speech Community.
A powerpoint which introduces the discipline of Sociolinguistics, explaining the type of work undertaken by sociolinguists and the background to the field.
A powerpoint which explores the dialect resources available on line. These resources can be used by students to complete assessments exploring different varieties of British English.
Powerpoint about repository use
This course explores the fundamental shifts in mental attitudes and public behaviour that occurred in Europe between the age of the Reformation and the age of the Enlightenment. The central focus of the module is to explore the changing ways in which beliefs impinged on people’s lives at various social levels. These seminar outlines and associated exercises were designed for the 2007-2008 session.
A crib sheet and handout for tutors to help first year undergraduates understand what is required of them for essays. This resource will need to be adapted for individual institutions with different criteria for layout of references etc.
Seminar outline for HST115: The 'Disenchantment' of Early Modern Europe c. 1570-1770, produced for the 2007 session at the Department of History, University of Sheffield. Includes an accompanying handout. Students are asked to discuss the opposing viewpoints of Michael MacDonald and Donna T. Andrew about suicide from the two related articles summarised on the sheet.
Seminar outline for HST115: The 'Disenchantment' of Early Modern Europe c. 1570-1770, produced for the 2007 session at the Department of History, University of Sheffield. Includes an exercise on the story of the cat massacre by Nicholas Contat (1730s). In this exercise students are asked to examine the highlighted parts of the story. With help from the tutor they should be able to pick out themes about rituals at the workplace.
Seminar outline for HST115: The 'Disenchantment' of Early Modern Europe c. 1570-1770, produced for the 2007 session at the Department of History, University of Sheffield.
Seminar outline for HST115: The 'Disenchantment' of Early Modern Europe c. 1570-1770, produced for the 2007 session at the Department of History, University of Sheffield.
Seminar outline for HST115: The 'Disenchantment' of Early Modern Europe c. 1570-1770, produced for the 2007 session at the Department of History, University of Sheffield.
Seminar outline for HST115: The 'Disenchantment' of Early Modern Europe c. 1570-1770, produced for the 2007 session at the Department of History, University of Sheffield.
Seminar outline for HST115: The 'Disenchantment' of Early Modern Europe c. 1570-1770, produced for the 2007 session at the Department of History, University of Sheffield. Includes an exercise for students to read and analyse extracts about witchcraft beliefs by George Gifford and Jean Bodin. Related to this exercise are brief summaries of four primary sources on witchcraft: Nicholas Remy, Demonolatry (1595); George Gifford, A Dialogue concerning witches & witchcraft (1593); Trials of Witches at crossroads of Marlou (1582-3); and Loudon Possession cases (1634/1637).
Seminar outline for HST115: The 'Disenchantment' of Early Modern Europe c. 1570-1770, produced for the 2007 session at the Department of History, University of Sheffield. Includes a handout/presentation on the printing press and associated photographs.
Seminar outline for HST115: The 'Disenchantment' of Early Modern Europe c. 1570-1770, produced for the 2007 session at the Department of History, University of Sheffield. Also includes a Source exercise about Early Modern Astrology. Students are separated into two groups and each given one side of the debate from texts by John Webster and Seth Ward(for or against astrology). They are then asked to analyse the extracts for context and point of view and use the question sheet as a rough guide.
Aston University TESOL resource - Teaching English to Young Learners
Aston University Powerpoint introduction to corpora. A corpus is a collection of pieces of lao nguage text in electronic form, selected according to external criteria to represent, as far as possible, a language or language variety as a source of data for linguistic research.
Aston University TESOL resources on course and syllabus design from Nur Hooton
Advice on planning exam answers
Eugène Delacroix’ painting ‘Le 28 juillet 1830: la liberté guidant le peuple’ (1831) was not welcomed by the critics in 1831, but has become since an icone of French republican identity. This resource provides links to two websites which contextualise and critically analyse the ambiguous and contested message of Delacroix’ s painting. Since then, the central character of the painting has been used, reused and transformed a countless number of time. At the start of the XXI century , its remains an ubiquitous icone, but its meaning may have changed. Undergraduate students may want to compare Delacroix’ painting with the poster produced by the French Communist Party in September 2009 for its annual conference/ celebration (La Fête de l’Humanité). The comparison may also include the flyer produced by Solidaires (a cartel of unions on the left of the left) for the 26 January 2009 demonstration against the reforms initiated by President Sarkozy. Students may want to discuss whether and how different re-workings of ‘Marianne’ have altered its meaning. Earlier representations are also included. A short indicative bibliography is included, stressing the significance of Maurice Agulhon's work on the subject. In his early work, Agulhon shows that there are two female symbols: 'Marianne', the earthy, loose-haired, threatening radical, with her Phrygian hat, sculpted by Francois Rude (1784-1855)on the Arc de Triomphe and a more stately, serene Goddess of Liberty with her start-girt crown, representing the Republique conservatrice. Finally further historical contextualisation, archival resources and interviews with experts can be accessed through the website 'France 1815 to 2003'.
Ten (10) documents for postgraduate research students in the humanities including checklists for submitting a thesis, guide to illustrations, using archives and templates for administration.
Seminar outline for HST115: The 'Disenchantment' of Early Modern Europe c. 1570-1770, produced for the 2007 session at the Department of History, University of Sheffield.
Seminar programme for HST115: The 'Disenchantment' of Early Modern Europe c. 1570-1770, produced for the 2007 session at the Department of History, University of Sheffield.
A collection of seminar descriptions, with bibliographies and topic summaries prepared for the Special Subject module: Ghosts, Witches and Portents in Early Modern Europe. This module ran at the Department of History, University of Sheffield.
A set of extracts upon which students are expected to attempt a commentary. Includes a bibliography. Prepared for the special subject module: Ghosts, Witches and Portents in Early Modern Europe.
Witchcraft was more often represented on stage in the Jacobean period than at any other time. In this seminar we are interested in what impact such plays are likely to have had on their audiences; whether the relationship to the witchcraft that we have now studied is an accurate one (and, where relevant, how the dramatists used contemporary cases of witchcraft to give them their dramatic material), etc. Prepared for the special subject module: Ghosts, Witches and Portents in Early Modern Europe.
This seminar will examine the craze of witch-hunting in Essex during the civil wars. A key figure in the 'witch-craze' of 1645 was Matthew Hopkins. The seminar will ask students to consider, in particular, the role of Hopkins as witch-hunter and attitudes towards him and his work. Prepared for the special subject module: Ghosts, Witches and Portents in Early Modern Europe.
This seminar and its sequel explore the rich documentation on witchcraft trials surviving for two English regions: Lancashire and Essex. They have both been subjected to considerable historical analysis already; and acquired a degree of public exposure too. So the aims of this seminar are to test various scholarly assumptions about the origins and process of witchcraft accusations against the regional evidence. Prepared for the special subject module: Ghosts, Witches and Portents in Early Modern Europe.
This seminar will examine in depth James VI (and I’s) attitude towards witchcraft as portrayed in his text Daemonologie (1597). Prepared for the special subject module: Ghosts, Witches and Portents in Early Modern Europe.
We tend to imagine that there was a consensus of beliefs about witchcraft and the powers of the devil, with that unity beginning to break down only towards the end of the seventeenth century under the impact of the scientific movement and the scepticism of the early Enlightenment. This seminar challenges these assumptions by showing that there was no real consensus earlier on. The seminar focuses specifically on Reginald Scot and John Webster. Prepared for the special subject module: Ghosts, Witches and Portents in Early Modern Europe.
This seminar considers how witchcraft belief was exploited for various means and what role the belief in and practice of witchcraft played in the local community. Prepared for the special subject module: Ghosts, Witches and Portents in Early Modern Europe.
Witchcraft was a scandal as well as a crime. The issue of scandal often appears in witchcraft trials. This seminar examines literary and oral resources to understand the role ‘gossip’ and scandal played in witchcraft cases. Prepared for the special subject module: Ghosts, Witches and Portents in Early Modern Europe.
There is a strong historiographical tradition, sustained by the insularity of English historians, that English witchcraft and accusation were ‘somehow distinctive from the continental equivalents of these phenomena’. This seminar concentrates on the case of the Duchy of Lorraine to show that the English experience was a variation on themes that were prominent within Europe and not entirely ‘distinctive’ as has been claimed. Prepared for the special subject module: Ghosts, Witches and Portents in Early Modern Europe.
This seminar examines the criminalization of witchcraft in the early modern period. Prepared for the special subject module: Ghosts, Witches and Portents in Early Modern Europe.
This session examines the relationship between the literature on apparitions and the emerging ‘Republic of Letters’, especially focusing on works by Thomas Hobbes and Daniel Defoe. Prepared for the special subject module: Ghosts, Witches and Portents in Early Modern Europe.
This seminar examines the scientific revolution/movement and the conception of the natural world through the lens of a member of the Royal Society, Joseph Glanvill, and the case which he popularised of the Drummer of Tedworth. Prepared for the special subject module: Ghosts, Witches and Portents in Early Modern Europe.
This seminar focuses on the protestant opinion of angels and spiritual presences. Prepared for the special subject module: Ghosts, Witches and Portents in Early Modern Europe.
Examination of the role of and belief in fairies during the early modern period. Discussion of literature and events surrounding this belief in fairies, how it was taken advantage of, and specifically how it was linked to the discourse surrounding witchcraft. Prepared for the special subject module: Ghosts, Witches and Portents in Early Modern Europe.
Exploration of what represented a 'good death' and by contrast what 'bad deaths' were characterised by in this period. Prepared for the special subject module: Ghosts, Witches and Portents in Early Modern Europe.
What did funeral practice in the early modern period look like and what were the rituals and ceremonies (both formal and informal) surrounding it? This seminar examines primary source accounts to answer those questions. Prepared for the special subject module: Ghosts, Witches and Portents in Early Modern Europe.
A discussion of purgatory, death and the afterlife during the early-mid sixteenth century through analysis of the primary sources that surround the debate over purgatory etc. Specifically Simon Fish's A Supplication for the beggars (1529). Prepared for the special subject module: Ghosts, Witches and Portents in Early Modern Europe.
Examination of late Medieval Christianity's approaches to death. Prepared for the special subject module: Ghosts, Witches and Portents in Early Modern Europe.
Discussion of 'ghost stories' and the role of literary culture in early modern understandings of ghosts. Based upon the key text Mother Leakey and the Bishop. Includes questions to consider. Prepared for the special subject module: Ghosts, Witches and Portents in Early Modern Europe.
Explores Ludwig Lavater's Of Ghostes and Spirites walking by nyght (1572). Specifically examining in detail Lavater's advice on appropriate behaviour when encountering a ghost. Includes questions to consider. Prepared for the special subject module: Ghosts, Witches and Portents in Early Modern Europe.
Explores Ludwig Lavater's Of Ghostes and Spirites walking by nyght (1572). Includes bibliography and background information. Prepared for the special subject module: Ghosts, Witches and Portents in Early Modern Europe.
Explores John Vicar's Prodigies and Apparitions or England's Warning Pieces (1643). Prepared for the special subject module: Ghosts, Witches and Portents in Early Modern Europe.
Bibliography for essay: What arguments were used in the sixteenth and seventeenth centuries to cast doubt upon the reality of witchcraft, and how effectively were contemporaries able to answer them? Prepared for the special subject module: Ghosts, Witches and Portents in Early Modern Europe.
Bibliography for essay: Why did atheism appear to be a more serious threat to ordered society than demonic power in the later seventeenth century? Prepared for the special subject module: Ghosts, Witches and Portents in Early Modern Europe.
Bibliography for essay: Was folklore equated with superstition in the wake of the reformation? Prepared for the special subject module: Ghosts, Witches and Portents in Early Modern Europe.
Bibliography for essay: Assess the relationship between the supernatural and the natural in the wake of the reformation. Prepared for the special subject module: Ghosts, Witches and Portents in Early Modern Europe.
Bibliography for essay: What was the impact of the seventeenth-century scientific movement on the belief in the supernatural? Prepared for the special subject module: Ghosts, Witches and Portents in Early Modern Europe.
Bibliography for essay: Account for the growing reluctance among the educated classes to prosecute witches in the later seventeenth century. Prepared for the special subject module: Ghosts, Witches and Portents in Early Modern Europe.
Bibliography for essay: What assumptions sustained the notion of diabolic possession? Prepared for the special subject module: Ghosts, Witches and Portents in Early Modern Europe.
Bibliography for essay: What can we learn from witchcraft cases about elite and popular conceptions of the power of the devil? Prepared for the special subject module: Ghosts, Witches and Portents in Early Modern Europe.
Bibliography for essay: What was the nature of early-modern witches' power, and how were they thought to exercise it? Prepared for the special subject module: Ghosts, Witches and Portents in Early Modern Europe.
Bibliography for essay: To what extent was early-modern astrology compatible with religious beliefs? Prepared for the special subject module: Ghosts, Witches and Portents in Early Modern Europe.
Bibliography for essay: Who saw ghosts, and why, in the sixteenth and seventeenth-centuries? Prepared for the special subject module: Ghosts, Witches and Portents in Early Modern Europe.
Bibliography for essay: 'The Gospel hath chased away walking spirits' (Archbishop Sandys 1585). Assess the impact of the protestant reformation on ghost beliefs Prepared for the special subject module: Ghosts, Witches and Portents in Early Modern Europe.
Bibliography for essay: 'A constant window to unorthodox belief.' Discuss this view of angels in the early-modern period. Prepared for the special subject module: Ghosts, Witches and Portents in Early Modern Europe.
Bibliography for essay: Why did angels 'survive' the protestant reformation? Prepared for the special subject module: Ghosts, Witches and Portents in Early Modern Europe.
Bibliography for essay: Were 'prophets' more revered than reviled in the early modern period? Prepared for the special subject module: Ghosts, Witches and Portents in Early Modern Europe.
All materials prepared for the special subject module: Ghosts, Witches and Portents in Early Modern Europe. Produced in 2008-09.
Collection of essay questions and bibliographies prepared for the special subject module: Ghosts, Witches and Portents in Early Modern Europe. Produced 2008-09.
Bibliography for essay: Why was there such interest in 'monstrous births' in the sixteenth and seventeenth centuries? Prepared for the special subject module: Ghosts, Witches and Portents in Early Modern Europe.
Bibliography for essay: How did the protestant notion of providence differ from the traditional concept of miracles? Prepared for the special subject module: Ghosts, Witches and Portents in Early Modern Europe.
Bibliography for essay: Evaluate the evidence for change and continuity of widespread beliefs about portents in the sixteenth and seventeenth centuries. Prepared for the special subject module: Ghosts, Witches and Portents in Early Modern Europe.
Bibliography for essay: What, on the basis of the evidence you have examined, explains the gendered nature of witchcraft belief and prosecution? Prepared for the special subject module: Ghosts, Witches and Portents in Early Modern Europe.
Bibliography for essay: Evaluate from the sources you have examined the ways in which the scientific movement changed attitudes to evidence about the natural world. Prepared for the special subject module: Ghosts, Witches and Portents in Early Modern Europe.
Bibliography for essay: In what ways can one relate the impact of the printing press to reinforcing or changing beliefs in either witchcraft or portents of impending disaster? Prepared for the special subject module: Ghosts, Witches and Portents in Early Modern Europe.
Bibliography for essay: What can we learn from a comparison of popular pamphlets on witchcraft with stage representations of witchcraft in the Jacobean period? Prepared for the special subject module: Ghosts, Witches and Portents in Early Modern Europe.
Bibliography for essay: Were the fairies of literary culture and those of folk belief the same creatures in the sixteenth and seventeenth centuries? Prepared for the special subject module: Ghosts, Witches and Portents in Early Modern Europe.
Bibliography for essay: Do any of the sources that we have examined in this course enable us to delineate a general picture of what constituted 'superstition' in the early-modern period? Prepared for the special subject module: Ghosts, Witches and Portents in Early Modern Europe.
Bibliography for essay: To what extent can historians use ballads and chapbooks as reliable evidence for popular cultural attitudes to the supernatural? Prepared for the special subject module: Ghosts, Witches and Portents in Early Modern Europe.
Bibliography for essay: How reliably can one use popular pamphlets as evidence for common attitudes to ONE of the following; the devil; the natural world; supernatural forces. Prepared for the special subject module: Ghosts, Witches and Portents in Early Modern Europe.
Bibliography for essay: Estimate the ways in which ONE of the following sources tried to persuade their readers of their objective handling of evidence: a) Ludwig Lavater, Of Ghostes and Spirities Walking by Nyght; b) Reginald Scot, Discoverie of Witchcraft; c) Joseph Glanvill, Sadducismus Triumphatus; d) James VI (and I), Demonologie. Prepared for the special subject module: Ghosts, Witches and Portents in Early Modern Europe.
Bibliography for essay: What sorts of evidence most impressed judges when they considered the fate those being prosecuted for witchcraft, and why? Prepared for the special subject module: Ghosts, Witches and Portents in Early Modern Europe.
Bibliography for essay: What sources enable historians to evaluate what constituted a 'good death' and 'bad death' in the wake of the reformation? Prepared for the special subject module: Ghosts, Witches and Portents in Early Modern Europe.
A brief introduction to the course, number of teaching hours, and course assignments along with a brief discussion of the historiography, seminar programme and list of essay questions. These materials were prepared for the special subject module: Ghosts, Witches and Portents in Early Modern Europe.
We look back now to the eighteenth and early nineteenth centuries as the time of origins of modernity -commercial and industrial revolutions, demographic transition, imperial expansion, the rise of working-class and artisan radicalism, and the emergence of the bourgeois public sphere. But this time of origins and transitions was also cast in contradictions and conflict: riches and poverty; markets and slaves; gender divisions; private life and public virtue; consumers and criminals; enlightened rationalism and religious enthusiasm, oligarchic government and popular radicalism. The eighteenth century was the great time of possibilities, opportunities, new directions and identities, but no certainties of what these were to be. These podcasts provide an overview of these and other themes of a society creating itself anew.
This IBL was created for a collaborative teaching project between Departments at Cambridge, Sheffield and University College London on the topic of ‘The Multicultural Society in the Netherlands’. This resource was produced with the help of CILASS (Centre for Inquiry-based Learning in the Arts and Social Sciences) at the University of Sheffield (see http://www.shef.ac.uk/cilass).
Preparation sheet for students studying concepts of conversion in the Middle Ages. This seminar focuses on the idea of conversion in early medieval Europe.
Preparation sheet for students studying Charlemagne, Boniface and the conversion of Saxony.
Preparation sheet for students studying Anglo-Saxon and Irish Missions to the Continent.
Preparation sheet for students studying Sutton Hoo.
Aston University, School of Languages and Social Sciences Powerpoint and Podcast that introduces situated learning and action research to TESOL students
Preparation sheet for students studying about the twelfth-century renaissance.
Preparation sheet for students studying about persecution in the late Middle Ages.
Preparation sheet for students studying the Cistercians. Accompanied by an extract from Bernard of Clairvaux's Apology, with questions for students to consider.
Preparation sheet for students studying heresy and the Cathars.
Preparation sheet for students studying the investiture contest. The accompanying extract is taken from Lampert of Hersfeld about the submission of Henry IV to Gregory VII at Canossa (January 1077). The exercise asks students questions about the extract.
Preparation sheet for students studying the Crusades
Preparation sheet for students studying the Vikings. The accompanying exercise asks students to examine an extract from the Anglo-Saxon Chronicle about the Viking attack on Lindisfarne in 793 AD.
Preparation sheet for students studying Gregory the Great and the Conversion of the English. The accompanying exercise is based on an extract from Bede's Ecclesiastical History. In this exercise students are asked to study a passage and analyse Gregory's motives and Bede's own concerns.
A collection of my bookmarks.
Preparation sheet and associated exercise for students studying King Clovis (c. 481-511) and the Franks, with suggested reading, and questions to be considered. The exercise is an extract from Gregory of Tours about Clovis' conversion.
Preparation sheet and exercise for students studying Julian the Apostate. The exercise is an analysis of Julian's 'The Caesars'.
A collection of seminar sheets (containing exercises, suggested reading and questions to consider) for the module entitled 'Pagans, Christians and Heretics in Medieval Europe'.
Exercise to be used as part of the Computing for Historians skills course (the full collection contains videos and workbooks).
Exercise to be used as part of the Computing for Historians skills course (the full collection contains videos and workbooks).
Exercise to be used as part of the Computing for Historians skills course (the full collection contains videos and workbooks).
Exercise to be used as part of the Computing for Historians skills course (the full collection contains videos and workbooks).
Exercise to be used as part of the Computing for Historians skills course (the full collection contains videos and workbooks).
Exercise to be used as part of the Computing for Historians skills course (the full collection contains videos and workbooks).
A preparation sheet and related exercise for students studying Emperor Constantine, with suggested reading, exercises and questions to be considered for a seminar. The exercise is a comparison of two primary accounts - Lactantius and Eusebius of Cesarea.
Exercise to be used as part of the Computing for Historians skills course (the full collection contains videos and workbooks).
Exercise to be used as part of the Computing for Historians skills course (the full collection contains videos and workbooks).
Excel workbook to be used as part of the Computing for Historians skills course (the full collection contains videos and exercises).
Excel workbook to be used as part of the Computing for Historians skills course (the full collection contains videos and exercises).
Excel workbook to be used as part of the Computing for Historians skills course (the full collection contains videos and exercises).
An exercise to help students remember the name and geographical location of important cities in Medieval Europe.
A revision exercise to help students recall what they have learnt at the end of the module: Pagans, Christians and Heretics in Medieval Europe. This exercise could be adapted for other modules.
Part of a computing skills for history students course. This was created for Warwick first years, but will be of use to others. Note that there are some Warwick specific details. Important: some of the search tools have been changed by their publishers.
Part of a computing skills for history students course. This was created for Warwick first years, but will be of use to others. Note that there are some Warwick specific details.
Exercise designed to help students to analyse a primary source. This exercise is based upon a translation of the martyrdom of Perpetua, a member of the church of Carthage in the early 3rd century AD.
An introduction to presenting data, charts and images for a course on computing skills for history students. The first movie was created for Warwick University first years, but has been useful to others. Note that there are some Warwick specific details. The second movie was then created for wider use with the 'Warwick specific' elements removed. The third movie is an exercise for students building on the information 'presenting data, charts and images'. For associated movies, exercises and documents see the 'Computing for Historians' collection.
An introduction to excel chart and chart wizard for a course on computing skills for history students. The first movie was created for Warwick University first years, but has been useful to others. Note that there are some Warwick specific details. The second movie was then created for wider use with the 'Warwick specific' elements removed. The third movie is an exercise for students building on the information 'chart and chart wizard'. For associated movies, exercises and documents see the 'Computing for Historians' collection.
An introduction to further excel formulae for a course on computing skills for history students. The first movie was created for Warwick University first years, but has been useful to others. Note that there are some Warwick specific details. The second movie was then created for wider use with the 'Warwick specific' elements removed. The third movie is an exercise for students building on the information 'creating further formulae'. For associated movies, exercises and documents see the 'Computing for Historians' collection.
An introduction to searching and analysing data for a course on computing skills for history students. The first movie was created for Warwick University first years, but has been useful to others. Note that there are some Warwick specific details. The second movie was then created for wider use with the 'Warwick specific' elements removed. The third movie is an exercise for students building on the information 'searching and analysing data'. For associated movies, exercises and documents see the 'Computing for Historians' collection.
An introduction to creating basic formulae for a course on computing skills for history students. The first movie was created for Warwick University first years, but has been useful to others. Note that there are some Warwick specific details. The second movie was then created for wider use with the 'Warwick specific' elements removed. The third movie is an exercise for students building on the information 'creating basic formulae'. For associated movies, exercises and documents see the 'Computing for Historians' collection.
An introduction to spreadsheets for the course on computing skills for history students. The first movie was created for Warwick University first years, but has been useful to others. Note that there are some Warwick specific details. The second movie was then created for wider use with the 'Warwick specific' elements removed. The third movie is an exercise for students building on the information 'introducing spreadsheets. For associated movies, exercises and documents see the 'Computing for Historians' collection.
An introduction to the course on computing skills for history students. This was created for Warwick first years, but will be of use to others. Note that there are some Warwick specific details.
Unspecified
Goethe's poem Willkommen und Abschied performed by Christian Wewerka in German, with text and synchronised translation. From the Goethe Podcasts web site, by Dr. Sean Allan of the University of Warwick. http://go.warwick.ac.uk/goethe
Goethe's poem Mit einem gemalten Band performed by Christian Wewerka in German, with text and synchronised translation. From the Goethe Podcasts web site, by Dr. Sean Allan of the University of Warwick. http://go.warwick.ac.uk/goethe
Goethe's poem Künstlers Abendlied performed by Christian Wewerka in German, with text and synchronised translation. From the Goethe Podcasts web site, by Dr. Sean Allan of the University of Warwick. http://go.warwick.ac.uk/goethe
A complete pdf copy of G.R. Potter and M. Greengrass, John Calvin (London, 1983).
Goethe's poem Heidenröslein performed by Christian Wewerka in German, with text and synchronised translation. From the Goethe Podcasts web site, by Dr. Sean Allan of the University of Warwick. http://go.warwick.ac.uk/goethe
Goethe's poem Das Veilchen performed by Christian Wewerka in German, with text and synchronised translation. From the Goethe Podcasts web site, by Dr. Sean Allan of the University of Warwick. http://go.warwick.ac.uk/goethe
Goethe's poem Das Rosenband performed by Christian Wewerka in German, with text and synchronised translation. From the Goethe Podcasts web site, by Dr. Sean Allan of the University of Warwick. http://go.warwick.ac.uk/goethe
An exercise in using and searching the library website for year one students. This exercise is designed to facilitate student participation in class to discuss Early Modern Revolutions. Although this exercise is designed for use with the library catalogue at the University of Sheffield, this resource could be adapted for other institutions.
This IBL was created for the Modern Languages Department to help students develop their translation skills from Russian to English. This resource was produced with the help of CILASS (Centre for Inquiry-based Learning in the Arts and Social Sciences) at the University of Sheffield (see http://www.shef.ac.uk/cilass).
Images of Colonial Attitudes to India including 'Coolies' at work and native costumes. Provided by Peter Hopkins, Roderic Bowen Library and Archives, History, University of Wales Lampeter
Images of Sea Monsters and Dragons from the 16th and 17th centuries. Provided by Peter Hopkins, Roderic Bowen Library and Archives, History, University of Wales Lampeter
Flemish artist Balthazar Solvyns drawings from 1799 of natives of India - focusing on manners, customs and dress. The original copy of these images can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Images drawn in 1806 by the military artist Charles Gold of holy men and mystics. The original copy of these images can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Drawing of an Indian lady connected to the East India Company, 1813. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Drawing of modernised 'Coolies' at work for the East India Company, 1813. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of 'coolies' at work for the East India Company. Drawn 1813. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Drawings of dragons by the Flanders-born mannerist artist Giovanni Stradanus (1630). The original copy of these images can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Images of imaginary sea monsters drawn by the Swiss naturalist and bibliographer Konrad Gesner (1575). The original copy of these images can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Various images about the history of science including microscopy, surgery and technology. Provided by Peter Hopkins, Roderic Bowen Library and Archives, University of Wales Lampeter
Diagram of surgery techniques by Ambrose Parey. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image and text on distillation systems for chemistry experiments. Published in 1616. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of animal experiments, published in 1775. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
A diagram of the lunar eclipse which appeared in the Acta Eruditorum scientific journal in 1682. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of chemistry experiment equipment belonging to the Accademia del cimento (1667). The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Technology by the 17th century German Jesuit scholar Athanasius Kircher (1678). The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of Surgery procedures by Fabricius Hildanus (1646). This particular image shows trepanation. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of Microscopy equipment by George Adams (1787). The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of microscopy by Buonanni (1775). The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of Microscopy in practise by Buonanni (1691). The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
This collection combines drawings of native dress from various artists in the 17th and 18th centuries. Provided by Peter Hopkins, Roderic Bowen Library and Archives, University of Wales Lampeter.
Drawing of the costume of Korea by John McLeod. Published in 1818 in his "Voyage of His Majesty's Ship Alceste, Along the coast of Corea, to the Island of Lewchew: with an account of her subsequent Shipwreck". The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Drawing of ladies and gentlemen from London by the artist James Peller Malcolm. Published in 1808. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Drawing of the costume of natives of Canada by the Italian Jesuit scholar Filippo Buonanni. Drawn in the early 18th century. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Costume of natives of New France-Canada by the Dutch geographer and director of the Dutch West India Company Joannes de Laet. This image was published in the Latin edition of his 'History of the New World' published in 1633. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
The Costume of the Russian Empire drawn by Wilkliam Alexander and one of 73 illustrations published by William Miller in 1803/4. This image derives from an 1811 edition. Accompanied by text in both English and French. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Illustration of the costume of Turkey printed by William Millar in 1802. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Image of Indian military uniform drawn in 1814 by Abraham James. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
This is material used within a second year module on Sikhism. it provides information on how caste is operative within Sikhism and has created distinct groups such as the Ravidasis and Valmikis. This material could also be used by historians and sociologists.
The costume of the Welsh drawn by the miniature painter and topographer Edward Pugh (bap. 1763, d. 1813). This image appeared in Pugh's Cambria depicta compiled over nine years from 1804. The Cumbria Depicta, along with this image was published posthumously by Evan Williams in 1816. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Drawing of costume worn by Kurds by diplomatist and novelist James Morier (1782-1849). Drawn in 1818. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
A drawing of a Chinese costume by the artist and museum curator William Alexander (1767-1816). Alexander painted this image in 1805. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
A collection of early maps used for description, travel, discovery and exploration. Provided by Peter Hopkins, Roderic Bowen Library and Archives, University of Wales Lampeter.
A map of Munster drawn in 1575. Used for description and travel. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
A map of the kingdom of Abyssinia belonging to the mythical Christian king, Prester John. Drawn by Abraham Ortelius and published in 1606. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Map of California (America) drawn in 1676. Used for description and travel. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Map of Sweden drawn by the Swedish scientist and writer Olaf Rudbeck in 1679. The map claims Sweden as Atlantis. Map used for description and travel. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
An eighteenth-century map of France by Jean-Aimar Piganiol de la force. Used for description and travel. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Carver's chip stall, photographed 10 October 1953. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
The National Fairground Archive (NFA) is part of the University of Sheffield Library Special Collections. The online image database contains 1000 photographic images selected from the full database situated at the NFA at the University Library in Sheffield. This collection contains photographs of various types of Fairground stalls. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
The National Fairground Archive (NFA) is part of the University of Sheffield Library Special Collections. The online image database contains 1000 photographic images selected from the full database situated at the NFA at the University Library in Sheffield. This collection contains photographs of the various shows that can be found at fairs, including oddities and curiosities, westerns, menageries and funhouses. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
The National Fairground Archive (NFA) is part of the University of Sheffield Library Special Collections. The online image database contains 1000 photographic images selected from the full database situated at the NFA at the University Library in Sheffield. This collection contains photographs of publicity for the fairs. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Photograph of Arthur Bird and Margaret Bird nee Waddington nee Shufflebottom with their daughters Margaret and Marion taken Norwich Easter Fair, 1939. The photograph was featured on the front page of the Daily Press on holiday Monday. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
The National Fairground Archive (NFA) is part of the University of Sheffield Library Special Collections. The online image database contains 1000 photographic images selected from the full database situated at the NFA at the University Library in Sheffield. This collection contains photographs on people at the Fair. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
The National Fairground Archive (NFA) is part of the University of Sheffield Library Special Collections. The online image database contains 1000 photographic images selected from the full database situated at the NFA at the University Library in Sheffield. This collection contains photographs on the subject of fairground machines including the big wheel and chairoplanes. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
The National Fairground Archive (NFA) is part of the University of Sheffield Library Special Collections. The online image database contains 1000 photographic images selected from the full database situated at the NFA at the University Library in Sheffield. This collection contains photographs of living wagons. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
The National Fairground Archive (NFA) is part of the University of Sheffield Library Special Collections. The online image database contains 1000 photographic images selected from the full database situated at the NFA at the University Library in Sheffield. This collection contains photographs on the subject of juvenile rides (fairground rides for young children). This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
The National Fairground Archive (NFA) is part of the University of Sheffield Library Special Collections. The online image database contains 1000 photographic images selected from the full database situated at the NFA at the University Library in Sheffield. This collection contains photographs on the subject of customs and ceremonies to be seen at the Fair. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
The National Fairground Archive (NFA) is part of the University of Sheffield Library Special Collections. The online image database contains 1000 photographic images selected from the full database situated at the NFA at the University Library in Sheffield. This collection contains photographs of the circus at various fairgrounds. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
The National Fairground Archive (NFA) is part of the University of Sheffield Library Special Collections. The online image database contains 1000 photographic images selected from the full database situated at the NFA at the University Library in Sheffield. This collection contains photographs on the subject of Fairground Acts including knife throwing and pythons. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Photograph of Hibble and Mellors' Fowler R3 3 cylinder 8 h.p. engine number 15117 - Headway, registration NWX780 - which was new in 1920, taken here at Bishop Aukland Rally, 1954. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
The National Fairground Archive (NFA) is part of the University of Sheffield Library Special Collections. The online image database contains 1000 photographic images selected from the full database situated at the NFA at the University Library in Sheffield. This collection contains photographs on the subject of fairground transport. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
William Summers' Skydiver, Newcastle Town Moor Fair, photographed 1995. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Warrington Walking Day, photographed 1912. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Walford's Welsh Maids, photographed 1929 This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Whole view of W. Thompson's Lighthouse Slip, photographed 12 June 1965. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
W. A. Swift's Juvenile, photographed 14 July 1941. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Two Photographs of Richard Shufflebottom, daughter Florence and her son Garry. Location is a guess. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Stokes and Cowie's Gallopers centre, Knutsford May Fair, photographed 7 May 1963. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Smart's Royal Windsors, photographed 20 May 1962. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Smart's Circus elephant parade, photographed 20 May 1962. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Slater's ERF artic - registration NGB543Y - photographed August 1995. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Slater's Atkinson tractor - registration MWW498K - with Paratrooper load, photographed April 1987. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Shows at Barnstaple Fair, circa 1933. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Showmen group, Knutsford May Fair, photographed 4 May 1953. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Riders on Willie Wilson's Chaos (afterburner) at Nottingham Goose Fair, photographed October 2001. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
R. Edward's Living Wagon, photographed July 1966. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Publicity for Knaresborough Carnival Week, photographed circa 1955. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Poster for Sidney White's Coliseum, photographed 1909. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Poster for Pat Collins' Fair, photographed 25 September 1965. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Poster advertising Gorton Wakes Fair, photographed 4 September 1962. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Photograph of the opening of Kings Lynn Mart, 1922. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Whole view of T. Smith's Poster for Stoke Road Fair, photographed Aylesbury Station, 19 May 1962. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Whole view of Stanley Thurston's Poster for the Fair, photograph taken on Cardington Road, Bedford Easter Fair, 20 April 1962. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Photograph of Robert Campbell's Hotdog and Candy Floss stand with Florence Campbell inside. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Photograph of Richard and Laura Shufflebottom's Wild West Show, with Laura in white and Richard in the white stetson. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Whole view of publicity poster for Forrest's Fair, photographed 16 August 1961. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Photograph of the whole three-quarter front view of the Muffin Autodrome, photographed March 1954. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Whole view of Mrs T. Wilson Senior stood in Hoopla darts stall, Warwick Mop Fair, photographed 18 October 1958. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Whole view of John Thurston's poster advertising the fair, Peterborough Bridge Fair, photographed 8 October 1960. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Whole front and side view of John Thurston's 4 wheel Leyland lorry - registration CCL529 - with Dodgem, taken 1 July 1964 at Kettering Feast Fair. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Front view of J. Messham's Wall of Death, taken at Loughborough Fair, Market Place, 11 November 1961. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Photograph of J. Corrigan's Juvenile Autodrome, Corrigan's Amusements, photographed 17 July 1962. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Photograph of J. Coneley's Car on Juvenile Train ride, taken 7 August 1964. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Whole angled front view of House of Fun Funhouse, taken 16 August 1960. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Whole view of Heal Brothers' publicity poster, taken 19 May 1964. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Whole view of Harris's Striker, taken Cardington Road, Bedford Easter Fair, 20 April 1962. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Photograph of Florence Shufflebottom with pythons and press reporter, taken Hull, circa 1954. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Photograph of Davey Jones, the Irish Leprechaun, at Bridgwater Fair when he was with Florence and Robert Campbell. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Photograph of Danny Day's Living Wagon - 533ENT - seen at Recreation Ground, Clifton. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Photograph of Colquhourn's Juvenile, taken Kirkcaldy Links Market, April 1980. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Whole view of Charles W. Abbott's Juvenile Sea on Land, Cambridge Mart Fair, taken 19 March 1960. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Photograph of Charles Thurston and sons (Charles Thurston Junior and John Thurston Junior), Peterborough Mart Fair, taken 16 March 1963. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Photograph of Charles Barnes' Burrell SCC engine bogged down in sand at Burnham Overy (ground close to sea). This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Whole front and side view of C. Farrell and his living wagon, taken Bridge Meadow site, Peterborough Mart Fair, 25 March 1961. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Whole front view of Billy Kayes' Largest Rat in the World show, taken Aston Serpentine site, Birmingham Whit Fair, 23 May 1959. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Whole side view of Arthur Armstrong's Living Wagon, taken Watt's Lane site, Rugby, 26 June 1959. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Whole view of Albert Holland's poster, taken in the town, Market Harborough Carnival Fair, 26 May 1962. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Photograph of Albert Holland's 8 wheel ERF Framed lorry - registration LEW818 - with Edwin Hall Cyclone (twist) taken 26 May 1962. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Whole view of 3 Abreast Gallopers taken 12 August 1961; with organ playing. Taken at Dreamland Amusement Park, Margate. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Pat Collins' Flying Fleas, photographed 20 July 1951. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Opening of King's Lynn Mart, photographed 1905. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Official opening of 1994 Goose Fair with dignitaries riding DeKoning's Looping Coaster. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
O'Connor's Laughing Clowns Stall, photographed circa 1970. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Mickey and Phyliss Kiely, Helston flora fair, photographed May 1990. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Mack tractor - registration KRX655, photographed 26 April 1964. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
M. A. Collins' Diamond T tractor with Living Wagon, photographed 2 September 1958. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Luke Jobson and his Dodgems, photographed 18 April 1987. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Liz Dawn (Vera Duckworth from Coronation Street) opens 1996 Valentines Fair. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
K. Emmett's Juvenile, last machine built by Savages bought from Goss' at Walton, photographed Cosgrove Park, 14 July 1979. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Josephine Ashcroft, photographed September 1958. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
John and Vera Thurston's Living Wagon, Cambridge Midsummer Fair, photographed 1966. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Joe Gandey, photographed April 1962. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Joe Fletcher Senior's Ball-La Stall, photographed 1912. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
James Mellor's Big Ben (drop) Tower, photographed March 2001. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Whole view of J. Shipley's Duck Ride, Juvenile, Drayton Manor Park, Tamworth, photographed 23 July 1967. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
J. Noyce's 4 wheel Leyland - registration JXC749 - with organ truck, St Giles Fair, Oxford. Photographed 5 September 1965. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
J. McGill's Living Wagon, photographed 16 July 1949. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
J. Hobson's wagon, Newcastle Town Moor Fair, photographed 16 June 1938. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Hull Pleasure Fair opening ceremony 1994. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Henry Studt's generator wagon, photographed 29 June 1963. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Henry Crick's Lakin Juvenile, photographed 11 September 1990. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Green's Burrell engine - number 3089 His Majesty - photographed 1935. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Grantham Mid-Lent Fair opening ceremony, 21 March 1988. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Girl in a goldfish Bowl show, photographed 1960. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
George Warrington's Thunderbirds Muffin Juvenile, photographed October 1985. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Fred Farrow and Mrs Holden, photographed 1931. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Frank Newsome (Guild President), William Percival (Lessee), Raymond Eddy (Chair of Yorkshire Section) and A. O. Hunt, photographed August 1995. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Flora Collins' White Lady living wagon, photographed 1909. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Fans gathering at Bridgwater, St Matthews Fair, photographed 1967. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Eva's Coconut Sheet photographed 27 April 1963. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Ellen Proctor, rifle range, photographed 1959. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Dreamland Amusements Whip, Dreamland Amusement Park, Margate, photographed July 1957. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Deakin's Living Wagons and Scammell tractor, photographed 27 April 1963. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
David Weeks with Snake Girl Show, Nottingham Goose Fair, photographed 1994. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
General view of the Circus, photographed 26 April 1964. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Chittock's Troupe of performing Dogs and Monkeys, St Giles Fair, circa 1890. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Charlotte and Luke Francis, photographed August 1993. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Charles Thurston's Great Show (bioscope), photographed 1912. Showing Paulos and Ibhar, Egyptian Magicians. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Whole view of Chairoplanes, photograph taken 7 June 1952. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Cambridge Midsummer Fair opening ceremony 1999. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Botton Brothers' Breakdance, Botton's Pleasure Beach, photographed 5 June 1990. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Billy Smart's Austin advance van - registration 452KPP - photographed 23 July 1962. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Billy Butlin's Big Wheel, photographed 6 August 1949. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Bertram Mill's publicity van, photographed 30 August 1958. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Belle Vue Carnival photographed 25 July 1959. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
B. Hughes' Monkey Show, photographed 10 July 1948. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Alec Cottam's hot dog van, photographed 29 April 1961. This resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Aston University MSc in TESOL Interactive Powerpoint created in Articulate software. This resource introduces methodology, methods and action research, communicative Language teaching, grammar teaching in the classroom, phonology and discourse intonation and task-based teaching, interaction and integration.
Hull Fair is the greatest travelling fair in the country. The Hull Fair Project, funded by the Heritage Lottery Fund, has brought together memories and images from the citizens of Hull and the travelling showpeople. Between January 2004 and July 2005 over 60 interviews were conducted and more than 600 images were recorded forming a remarkable snapshot of the relationship between the city and the fair over the course of the 20th Century. The sixth and final collection contains interviews, photographs and videos from the fair since the 1960s, with some more general thoughts about the longevity of Hull Fair. This resource was created as part of the National Fairground’s project, ‘Hull Fair, fun for all’, funded by the Heritage Lottery Fund in association with Hull City Council (see http://www.hullfair.dept.shef.ac.uk). The resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Commercial use of this resource is prohibited. All rights reserved.
'So come on people everywhere, visit the travelling fair'. John Biddell admires Hull Fair and Doreen Hampshire reads her poem celebrating its rich history. Accompanied by photographs of Hull Fair. This resource was created as part of the National Fairground’s project, ‘Hull Fair, fun for all’, funded by the Heritage Lottery Fund in association with Hull City Council (see http://www.hullfair.dept.shef.ac.uk). The resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Joe Hives and Joseph Vernon remember the good old days at Hull Fair and anticipate them continuing. Accompanied by photographs of Hull Fair through the ages. This resource was created as part of the National Fairground’s project, ‘Hull Fair, fun for all’, funded by the Heritage Lottery Fund in association with Hull City Council (see http://www.hullfair.dept.shef.ac.uk). The resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
For Emmy, Tish and Paul, being at Hull Fair includes trying to go on every ride: the Extreme, Twister and even the Sea Storm twice! Their memories are accompanied by amateur footage donated to the Hull Fair Project. This resource was created as part of the National Fairground’s project, ‘Hull Fair, fun for all’, funded by the Heritage Lottery Fund in association with Hull City Council (see http://www.hullfair.dept.shef.ac.uk). The resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
For Violet Biddell, being at Hull Fair included cut flowers from the allotments and tea with the local butcher. Accompanied by photographs. This resource was created as part of the National Fairground’s project, ‘Hull Fair, fun for all’, funded by the Heritage Lottery Fund in association with Hull City Council (see http://www.hullfair.dept.shef.ac.uk). The resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Albert Baines recalls the people he saw and served at the Fair. Accompanied by photographs of Hull Fair. This resource was created as part of the National Fairground’s project, ‘Hull Fair, fun for all’, funded by the Heritage Lottery Fund in association with Hull City Council (see http://www.hullfair.dept.shef.ac.uk). The resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Bob Carver tells us about chips, pies and his family's relationship with Hull Fair. Accompanied by photographs of Carvers fish & chips shop and fair sidestall. This resource was created as part of the National Fairground’s project, ‘Hull Fair, fun for all’, funded by the Heritage Lottery Fund in association with Hull City Council (see http://www.hullfair.dept.shef.ac.uk). The resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Sharon Rustling and Mrs Arro recall the Shamrocks, the Waltzer and Dive Bomber. Accompanied by photographs of Hull Fair. This resource was created as part of the National Fairground’s project, ‘Hull Fair, fun for all’, funded by the Heritage Lottery Fund in association with Hull City Council (see http://www.hullfair.dept.shef.ac.uk). The resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
David Harrison recalls his childhood visiting the Fair with his father and seeing George the Gentle Giant. Karen Riches also remembers George. Accompanied by photographs of Hull Fair and various giants from the same period. This resource was created as part of the National Fairground’s project, ‘Hull Fair, fun for all’, funded by the Heritage Lottery Fund in association with Hull City Council (see http://www.hullfair.dept.shef.ac.uk). The resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Debbie Reeves tells of her early years working on the fair with her father Gilbert Chadwick. Accompanied by photographs of Hull Fair. This resource was created as part of the National Fairground’s project, ‘Hull Fair, fun for all’, funded by the Heritage Lottery Fund in association with Hull City Council (see http://www.hullfair.dept.shef.ac.uk). The resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
'I originate from shows, build shows, run shows'. Gilbert Chadwick recalls Ghosts, Novelties, Giants, Rats and more. Accompanied by photographs of Hull Fair. This resource was created as part of the National Fairground’s project, ‘Hull Fair, fun for all’, funded by the Heritage Lottery Fund in association with Hull City Council (see http://www.hullfair.dept.shef.ac.uk). The resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Gary Leach has been painting for showmen since the age of 14 and recalls playing football with the local kids during Hull Fair week. Accompanied by photographs of Hull Fair. This resource was created as part of the National Fairground’s project, ‘Hull Fair, fun for all’, funded by the Heritage Lottery Fund in association with Hull City Council (see http://www.hullfair.dept.shef.ac.uk). The resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
That was an area kept clear for the fire brigade'. George McPhee shows us his photographs of the Fair and Walton Street. This resource was created as part of the National Fairground’s project, ‘Hull Fair, fun for all’, funded by the Heritage Lottery Fund in association with Hull City Council (see http://www.hullfair.dept.shef.ac.uk). The resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Some rights reserved (see terms of licence by clicking on the CC licence logo below).
Collection of resources that link to the Holocaust.
This collection contains a range of resources which aim to help students get more out of tutor feedback on their work. This is suitable for all undergraduate students in any subject area.
This collection is built around the 'GLO test' zip file for the 'Beasts of Belsen' newsfilm archive. The learning object in the Glo test provides the context for the Bergen Belsen Trial and explores issues about the newsfilm account. This item is suitable for students who are interested in the Holocaust and will take about twenty minutes to complete, with multiple choice questions closing the learning.
Map of America, part of a drawing of the world by the Italian Givanni Maffei. Published in 1589. Used for exploration and discovery. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Map of Amsterdam drawn by Johannes Isacius Pontanus in 1611. Used for exploration and discovery. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Map of Tierra Nueva (New England/The East coast of North America) drawn by the Italian Alchemist, physician and cartographer Girolamo Ruscelli in 1561. Based upon a 1548 map published in Giacomo Gastaldi's La Geografia. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Map of Mozambique drawn by the Dutch Protestant merchant, traveller and historian Jan Hugen van Linschoten in 1599. Used for exploration and discovery. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Map of the Kingdom of Ireland drawn by the English historian and cartographer John Speed in 1610. The map was used for description and travel. The original copy of this image can be found at the Roderic Bowen Library and Archives, University of Wales Lampeter.
Hull Fair is the greatest travelling fair in the country. The Hull Fair Project, funded by the Heritage Lottery Fund, has brought together memories and images from the citizens of Hull and the travelling showpeople. Between January 2004 and July 2005 over 60 interviews were conducted and more than 600 images were recorded forming a remarkable snapshot of the relationship between the city and the fair over the course of the 20th Century. The fifth collection contains interviews, photographs and videos from the fair during the 1960s. This resource was created as part of the National Fairground’s project, ‘Hull Fair, fun for all’, funded by the Heritage Lottery Fund in association with Hull City Council (see http://www.hullfair.dept.shef.ac.uk). The resource is the copyright of the National Fairground Archive, University of Sheffield (http://www.nfa.dept.shef.ac.uk/) and has been made available with their permission. Commercial use of this resource is prohibited. All rights reserved.